| Greggery:
 | 
| Oh, here comes GREGGERY
 | 
| Little GREGGERY PECCARY
 | 
| The nocturnal gregarious
 | 
| Wild swine
 | 
| Narrator:
 | 
| A peccary is a little pig with a white collar that usually hangs around between
 | 
| Texas and Paraguay, sometimes ranging as far west as Catalina
 | 
| Greggery:
 | 
| Catalina, Catalina, Catalina!
 | 
| Narrator:
 | 
| This particular peccary is part of that bold
 | 
| Greggery:
 | 
| Bold
 | 
| Narrator:
 | 
| New
 | 
| Greggery:
 | 
| New
 | 
| Narrator:
 | 
| Breed
 | 
| Greggery:
 | 
| Breeding
 | 
| Narrator:
 | 
| That distinguishes itself by markings which resemble a WIDE TIE directly below
 | 
| the white collar
 | 
| Greggery:
 | 
| If it’s wide enough
 | 
| Everyone will know
 | 
| That the tie I’m wearing
 | 
| Is a symbol
 | 
| Of how nimble my mind will know
 | 
| Ooh-ooh!
 | 
| Narrator:
 | 
| (Swank suave!)
 | 
| Greggery:
 | 
| Hoon-hoon hoonna-han
 | 
| Hoonna hoonna
 | 
| Narrator:
 | 
| Look out!
 | 
| Here he comes again!
 | 
| Greggery:
 | 
| Oh here comes GREGGERY PECCARY
 | 
| Yes it’s cravy, cravy, yeah
 | 
| Hoonna-han
 | 
| Hoonna-han
 | 
| Narrator:
 | 
| Every morning, GREGGERY drives his little red Volkswagen to the ugly part of
 | 
| town where they keep the Government Buildings
 | 
| Greggery:
 | 
| Voodn, Voodn!
 | 
| Boy it’s so hard to find a place to park around here!
 | 
| Voo-voo-voo-nya-hoon
 | 
| Narrator:
 | 
| GREGGERY PECCARY takes the elevator up to the eighty-third floor of a grim,
 | 
| gray, evil-looking building with a sign on the front reading: 'BIG SWIFTY &
 | 
| ASSOCIATES, TREND-MONGERS'
 | 
| And what, might you ask, is a TREND MONGER? | 
| Well, a TREND MONGER is a person
 | 
| who dreams up a TREND (like 'The Twist'—or 'Flower Power'), and spreads it
 | 
| throughout the land, using all the frightening little skills that Science has
 | 
| made available!
 | 
| And so it was, one fateful morning, GREGGERY PECCARY made his way through the
 | 
| Steno Pool
 | 
| Greggery:
 | 
| Hi Mildred!
 | 
| Hello Gladys!
 | 
| WANDA!
 | 
| Narrator:
 | 
| Yes, from the moment they laid eyes on him, all the girls in the BIG SWIFTY
 | 
| Steno Pool KNEW. | 
| .. here was a nocturnal, gregarious wild swine ON HIS WAY UP
 | 
| .. . | 
| a PECCARY of Destiny, Adventure and ROMANCE
 | 
| Greggery:
 | 
| Is there any mail for me?
 | 
| Stenographers:
 | 
| SWIFTY’S!
 | 
| THIS IS BIG SWIFTY’S!
 | 
| AT BIG SWIFTY’S WE ALL KNOW-OW-OW
 | 
| (WO-WO)
 | 
| YOU’LL GO
 | 
| FOR ANY GIMMICK OR GIZMO!
 | 
| Greggery:
 | 
| WOULDN’T YOU RATHER BE INVOLVED
 | 
| IN A SERIES OF COLORFUL
 | 
| TIME-WASTING TRENDS?
 | 
| Narrator:
 | 
| AIR HOCKEY. | 
| .. biff. | 
| .. dush-h-h!
 | 
| Stenographers:
 | 
| LA-LA-LA-LA-LA-LA-LA-LA
 | 
| YOUP YOUP YOUP YOUP
 | 
| Greggery:
 | 
| IS YOUR WIFE SNORING BY THE SINK?
 | 
| Stenographers:
 | 
| LA-LA-LA-LA-LA-LA-LA-LA
 | 
| YOUP YOUP YOUP YOUP
 | 
| Greggery:
 | 
| AIN’T YOUR LIFE BORING, DON’TCHA THINK?
 | 
| Stenographers:
 | 
| YOUP YOUP YOUP-YOUP-YOUP YOUP YOUP
 | 
| Greggery:
 | 
| LIFE IS SO MUCH BETTER
 | 
| WHEN THERE’S SOME LITTLE SOMETHING
 | 
| TO DO!
 | 
| Narrator:
 | 
| Does it matter that this waste of time is what makes a LIFE for you? | 
| Hmmmmm?
 | 
| Greggery:
 | 
| I must plummet boldly forward to my ultra-avant laminated, simulated
 | 
| replica-mahogany desk, with the strategically-placed, imported, very hip water
 | 
| pipe, and the latest edition of the WHOLE EARTH CATALOG, and rack my agile mind
 | 
| for a spectacular new TREND, thereby rejuvenating our limping economy,
 | 
| and providing for bored & miserable people everywhere some great new 'THING'
 | 
| to identify with!
 | 
| Stenographers:
 | 
| WE HAVE GOT THE LITTLE ANSWERS
 | 
| TO THE THINGS
 | 
| THAT MIGHT BE BOTHERING YOU!
 | 
| Greggery:
 | 
| WE HAVE GOT YOUR LITTLE TOYS!
 | 
| Stenographers:
 | 
| (WE'RE BUSY MAKIN' 'EM!)
 | 
| BUSY MAKIN' 'EM
 | 
| WE’RE BUSY MAKIN' 'EM
 | 
| Greggery:
 | 
| BUSY MAKIN' EM
 | 
| Stenographers:
 | 
| JUST FOR YOU!
 | 
| Yoo-hoo-hoo!
 | 
| Greggery:
 | 
| Highly efficient, Miss Snodgrass!
 | 
| Narrator:
 | 
| And with that, GREGGERY turned and strode nonchalantly into his dinky little
 | 
| office with the desk and the catalog and the very hip water pipe, and proceeded,
 | 
| with a vigor and determination known only to piglets of a similarly diminutive
 | 
| proportion, to single-handedly invent THE CALENDAR!
 | 
| With his eyes rolled heaven-ward, and his little shiny pig-hoofs on the desk,
 | 
| GREGGERY ponders the question of ETERNITY (and fractional divisions thereof),
 | 
| as mysterious ANGELIC VOICES sing to him from a great distance,
 | 
| providing the necessary clues for the construction of this thrilling new TREND!
 | 
| Angelic Voices:
 | 
| SUNDAY
 | 
| Greggery:
 | 
| Sunday?
 | 
| WOW!
 | 
| SUNDAY, SATURDAY. | 
| .. TUESDAY THROUGH
 | 
| 'MONDAY—MONDAY'! | 
| SUNDAY, SATURDAY
 | 
| Narrator:
 | 
| And thus THE CALENDAR, in all of its colorful disguises was presented to the
 | 
| bored & miserable people everywhere!
 | 
| GREGGERY issued a memo on it, whereupon the entire contents of the Steno Pool
 | 
| identified with it STRENUOUSLY, and WORSHIPPED IT as a WAY OF LIFE,
 | 
| and took their little pills by it, and went back 'n forth from work by it,
 | 
| and paid their rent by it, and before long they were even having BIRTHDAY
 | 
| PARTIES IN THE OFFICE by it, because NOW, AT LAST, GREGGERY PECCARY’s exciting
 | 
| new invention had made it possible for everyone to find out HOW OLD THEY WERE!
 | 
| Greggery:
 | 
| What hath GOD wrought?
 | 
| Narrator:
 | 
| Unfortunately, there were some people who simply DID NOT WISH TO KNOW,
 | 
| and that’s why, on his way home from the office one night, GREGGERY was
 | 
| attacked by a RAGE OF HUNCHMEN!
 | 
| Making his way through the evening traffic, GREGGERY notices that the other
 | 
| vehicles which crowd and bump his little red car are all inhabited by
 | 
| slowly-aging 'VERY HIP YOUNG PEOPLE.'
 | 
| They appear to be casting sinister glances toward him through their glinting
 | 
| acid burn-out eyeballs, trying to run him off the road, or make him bump into
 | 
| something. | 
| .. giving strong evidence of HOSTILE AGGRESSION!
 | 
| To elude them, GREGGERY takes the SHORT FOREST EXIT off the expressway.
 | 
| They zoom after him in all manner of cars, trucks, garishly-painted buses,
 | 
| and motorcycles
 | 
| GREGGERY takes a bumpy trail off the main SHORT FOREST ROAD, which leads him up
 | 
| the side of a FAMOUS (and conveniently placed) MOUNTAIN, and into a strange
 | 
| cave on the edge of a cliff, not far from a LITTLE TWISTED TREE. | 
| ..
 | 
| with eyes on it
 | 
| Meanwhile, the enraged HUNCHMEN (and HUNCH-WOMEN) rumble through the SHORT
 | 
| FOREST until (realizing the little swine has escaped), they decide to park
 | 
| their steaming vehicles in a circular pseudo-Wagon Train formation. | 
| ..
 | 
| and have a LOVE-IN!
 | 
| Under the influence of a fantastic amount of TRENDY CHEMICAL AMUSEMENT AID,
 | 
| they proceed to perform lewd acts, rip each other off for small personal
 | 
| possessions, and dance with depraved abandon in the vicinity of a six-foot pile
 | 
| of transistor radios (each one tuned to a different station)
 | 
| Greggery:
 | 
| WHAT?
 | 
| Narrator:
 | 
| The HUNCHMEN finally expire from exhaustion, and GREGGERY, who has viewed the
 | 
| proceedings from a safe distance, breathes a sigh of relief
 | 
| Greggery:
 | 
| Phew!
 | 
| Narrator:
 | 
| Only to be terrified once again by a roar of immense laughter
 | 
| Billy:
 | 
| HO! | 
| HO! | 
| HO!
 | 
| Narrator:
 | 
| Which seems to be rumbling up from the very depths of the cave in which he has
 | 
| hidden his car!
 | 
| Greggery:
 | 
| Good Lord! | 
| What was that?
 | 
| Narrator:
 | 
| GREGGERY doesn’t realize he has concealed himself inside the very mouth of
 | 
| Billy:
 | 
| HO! | 
| HO! | 
| HO!
 | 
| Narrator:
 | 
| BILLY THE MOUNTAIN!
 | 
| Billy:
 | 
| HO! | 
| HO! | 
| HO!
 | 
| Narrator:
 | 
| And, as you all know, whenever BILLY laughs, rocks and boulders hack up,
 | 
| and the air for miles around is filled with tons of dust, forming a series of
 | 
| huge BROWN CLOUDS!
 | 
| Greggery:
 | 
| WHO IS MAKING THOSE NEW BROWN CLOUDS?
 | 
| WHO IS MAKING THOSE CLOUDS THESE DAYS?
 | 
| WHO IS MAKING THOSE NEW BROWN CLOUDS?
 | 
| BETTER ASK A PHILOSTOPHER 'N SEE WHAT HE SAYS!
 | 
| Narrator:
 | 
| GREGGERY stops at a gas station and makes a mysterious phone call
 | 
| Greggery:
 | 
| IS THIS THE OLD LOFT
 | 
| WITH THE PAINT PEELIN' OFF IT
 | 
| BY THE CHINESE POLICE
 | 
| WHERE THE DOGS ROLL BY?
 | 
| IS THIS WHERE THEY KEEP
 | 
| THE PHILOSTOPHERS NOW
 | 
| WITH THE RUGS & THE DUST
 | 
| WHERE THE BOOKS GO TO DIE?
 | 
| HOW MANY YEZ GOT?
 | 
| SAY YEZ GOT QUITE A FEW
 | 
| JUST SITTIN' AROUND THERE
 | 
| WITH NOTHIN' TO DO?
 | 
| WELL I JUST CALLED YEZ UP
 | 
| 'CAUSE I WANTED TO SEE
 | 
| A PHILOSTOPHER BE
 | 
| OF ASSISTANCE TO ME!
 | 
| Narrator:
 | 
| GREGGERY receives information that 'The Greatest Living PHILOSTOPHER Known to
 | 
| Mankind' is currently in possession of the very information in question, and,
 | 
| furthermore, this information could be HIS, if only GREGGERY would attend a
 | 
| 'SPECIAL THERAPEUTIC GROUP ASSEMBLY' (Classes now forming), and available at a
 | 
| special low low introductory fee. | 
| .. and now, here he is, 'The Greatest
 | 
| Living PHILOSTOPHER Known to Mankind', QUENTIN ROBERT DeNAMELAND! | 
| Take it away!
 | 
| Quentin: | 
| Folks, as you can see for yourself, the way this clock over here is behaving,
 | 
| TIME IS OF AFFLICTION! | 
| Now this might be cause for alarm among a portion of
 | 
| you, as, from a certain experience, I TEND TO PROCLAIM: 'THE EONS ARE CLOSING'!
 | 
| Narrator:
 | 
| Make your checks payable to 'QUENTIN ROBERT DeNAMELAND, Greatest Living
 | 
| Philostopher Known to Mankind'!
 | 
| Greggery:
 | 
| WHO IS MAKING THOSE NEW BROWN CLOUDS?
 | 
| WHO IS MAKING THOSE CLOUDS THESE DAYS?
 | 
| WHO IS MAKING THOSE NEW BROWN CLOUDS?
 | 
| IF YOU ASK A PHILOSTOPHER, HE’LL SEE
 | 
| THAT YOU PAYS! |