| Haha, haha
|
| Yeah, ayy
|
| (After dark)
|
| In a whip so low, no one’s gotta know
|
| Knocking at your door, I don’t gotta work anymore
|
| You can put your phone out here girl, you need two hands
|
| You can’t get enough, girl, you know I set it up for after dark
|
| Late night, like left eye
|
| I’m creepin', assuming the worst 'cause I haven’t heard from you all weekend
|
| Your silence is driving me up the wall, up the wall
|
| I cannot tell if you’re ducking calls or missing calls 'cause
|
| You’ve been so patient
|
| I drink on the job and smoke on the job
|
| So I don’t know how serious you take it
|
| Can’t offer much more, you’ve heard it before
|
| That narrative for me isn’t changing
|
| I wanna make you a priority
|
| I wanna let you know there’s more to me
|
| I wanna have your faith restored in me
|
| I’ll be on my way
|
| In a whip so low, no one’s gotta know (no one’s gotta know)
|
| Knocking at your door, I don’t gotta work anymore (I don’t gotta work no more)
|
| You can put your phone out here girl, you need two hands (ooh, yeah)
|
| You can’t get enough, girl, you know I set it up for after dark
|
| Late night, me and you, got you wet like the pool
|
| Then I’m tryna dive in, put some time in, yeah
|
| Get the vibe right, get your mind right, it’s gon' be a long night (ooh yeah)
|
| Put your feet in this water, don’t wanna get your hair wet
|
| We’ve hooked up a couple times, we ain’t took it there yet
|
| You broke up with your man and ain’t been with nobody else
|
| You like, «Fuck these niggas,"rather keep it to yourself
|
| He did you wrong, he left you down bad
|
| Now you can’t trust nobody
|
| You said, «Do anything, but just don’t lie to me»
|
| I said I ride for you, girl, you said you ride for me
|
| Umm, pulled up to the shorty, we got drugs
|
| And when it’s time to duck it, we can go
|
| In a whip so low, no one’s gotta know (no one’s gotta know)
|
| Knocking at your door, I don’t gotta work anymore (I don’t gotta work no more)
|
| You can put your phone out here girl, you need two hands (ooh, yeah)
|
| You can’t get enough, girl, you know I set it up for after dark
|
| 93.7, WBLK at the Quiet Storm
|
| Taking you right there with Hall &Oates
|
| Moving you through the storm in what is now 19 minutes after 10 o’clock
|
| Thank you for your phone calls as we get you closer to your requests and
|
| dedications
|
| Phone lines are open for you to send a love, your love note dedications
|
| 644−9393, call me
|
| Coming up, we will head through your storm with Troupe Fantasia, Chaka Khan
|
| My Funny Valentine, Jill Scott
|
| Giving you whatever and more, the selected music of Mr Luther Van Dross
|
| As we kick off your first hour of your most selective, most seductive,
|
| most relaxing four hours of the 93−7
|
| It’s Al Wood and you are safe, soft, and warm
|
| In the loving embrace of my storm on BLK |