| Hi kids, do you like violence?
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| Seeing people dying to the cries of the sirens?
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| Leaving the crime scene nothing like you arrived
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| Full of bile, blood and another bunch of satisfied clients?
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| Well then you dialed the right hotline
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| Miami has a lot of numbers and of all of them you got mine
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| My top advice is not to get bothered with plot line
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| Just call us up and then I’ll see if I can drop by
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| It all started with a call to East Seventh Street
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| I was blessed with a request that didn’t need any pleasantries
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| There’s no intense a feeling as dealing senseless beatings
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| To people who you previously wouldn’t ever meet
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| Talk about being dead on your feet
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| The second that I enter people seem to end in a heap
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| I guess they can’t deal well with the American heat
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| That makes you sweat red and then puts you forever to sleep
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| I guess I’m one heck of an interior decorator
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| Interfere with investigators, escalate a petty situation into mayhem
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| Exit stage left and step on the accelerator
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| The rest is even better, but I’d better tell you later
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| Because I’ve got another message and it won’t wait
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| Someone needs me to clean their mess up in my own way
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| No fidgeting or messing and there’s no delay
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| Fifty blessings later hit the motorway and rode away
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| There’s one new message on your answer machine, it says:
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| How long d’you reckon that your hands’ll be clean, it says:
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| It’s dirty work, but someone’s got to do the job
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| To go beserk and roll in the filth with the mob
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| Under neon lights
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| One phone call will decide who lives or dies
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| 'Cause greed turns into pain and no one can escape
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| The crimson rain that pours over my soul
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| On these hot Miami nights
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| Wo-oh-oh-oh-oh-oh
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| These hot Miami nights
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| Wo-oh-oh-oh-oh-oh
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| 'Cause greed turns into pain and no one can escape
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| The crimson rain that pours over my soul
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| On these hot Miami nights
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| Strip lights flicker as I sip my liquor
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| This life’s sick and you can get by quicker
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| If you live like a sinner with your finger by the trigger
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| Or the throat of a foe, so it’s goodbye, Richter
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| Wherever I go I seem to stand alone
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| Whether I head to the pizza shack or hang at home
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| Answer to no one but the answer phone, man, I love that hang up tone
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| More than a saxophone solo and a bag of blow
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| I’m holding a bat and donning an animal mask
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| So you can probably tell I’ve had a problematical past
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| But these aren’t irrational acts, I’m enacting the task
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| That I’ve been handed by the man requiring absolute tact
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| And as a matter of fact, I’m really flattered he asked me
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| Because I’m a one man catastrophe factory
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| Think the Mafia’s bad? |
| You must be having a laugh, see
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| The man behind each massive massacre? |
| That’s me
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| There’s one new message on your answer machine, it says:
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| How long d’you reckon that your hands’ll be clean, it says:
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| It’s dirty work, but someone’s got to do the job
|
| To go beserk and roll in the filth with the mob
|
| Under neon lights
|
| One phone call will decide who lives or dies
|
| 'Cause greed turns into pain and no one can escape
|
| The crimson rain that pours over my soul
|
| On these hot Miami nights
|
| Wo-oh-oh-oh-oh-oh
|
| These hot Miami nights
|
| Wo-oh-oh-oh-oh-oh
|
| 'Cause greed turns into pain and no one can escape
|
| The crimson rain that pours over my soul
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| On these hot Miami nights |