| Man in a wheelchair, lobby of the Forrest
|
| With frighters, hustlers, hard-up millionaires
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| Mobsters, cops, whores, pimps and Marxists
|
| All human life is there
|
| Man in a wheelchair listens to the chatter
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| Writes down all the insane crap he hears
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| He can’t move around but it doesn’t really matter
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| In the Forrest all you need is eyes and ears
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| And out they pour, the hits and the misses
|
| «Turn Me Loose,» «Lonely Avenue»
|
| And down in Nashville, Elvis sings «Suspicion»
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| Pomus/Shuman, 1962
|
| And he never could be one of those happy cripples
|
| The kind that smile and tell you life’s OK
|
| He was mad as hell, frightened and bitter
|
| He found a way to make his feelings pay
|
| Back at the Forrest, in the steakhouse off the lobby
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| A diner gets three bullets in the head
|
| Doc looks down, eating his linguine
|
| Thinking up a lyric for the dead
|
| And out they pour, the hits and the misses
|
| «Turn Me Loose,» «Lonely Avenue»
|
| And down in Nashville, Elvis sings «Suspicion»
|
| Pomus/Shuman, 1962
|
| Fred Neil, Jack Benny, crazy Phil Spector
|
| Pumpkin Juice and Eydie Gormé
|
| Damon Runyon, Jr. and the Duke’s orchestra
|
| All superhuman life was there
|
| And he never could be one of those happy cripples
|
| The kind that smile and tell you life’s OK
|
| He was mad as hell, frightened and bitter
|
| He found a way to make his isolation pay
|
| And out they pour, the hits and misses
|
| «Turn Me Loose,» «Lonely Avenue»
|
| And down in Nashville, Elvis sings «Suspicion»
|
| Pomus/Shuman, 1962 |