| Madame is quite agitated. |
| Earlier this evening, she wanted you for something
|
| and you could not be found
|
| Well, that’s tough
|
| I don’t think you understand, Mr. Gillis. |
| Madame is extremely fragile.
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| She has moments of melancholy. |
| There have been suicide attempts
|
| Why? |
| Because of her career? |
| She’s done well enough
|
| Look at all the fan mail she gets every day
|
| I wouldn’t look too closely at the postmarks if I were you
|
| You mean you write them?
|
| Will you be requiring some supper this evening, sir?
|
| No. And Max?
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| Yes, sir?
|
| Who the hell do you think you are, bringing my stuff up from my apartment
|
| without consulting me? |
| I have a life of my own — now you’re telling me I’m
|
| supposed to be a prisoner here
|
| I think, perhaps, sir, you will have to make up your mind to abide by the rules
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| of this house. |
| That is, if you want the job
|
| I started work on the script
|
| I hacked my way through the thicket
|
| A maze of fragmented ramblings
|
| By a soul in limbo
|
| She hovered there like a hawk
|
| Afraid I’d damage her baby
|
| What’s that?
|
| I thought we might cut away from the slave market…
|
| Cut away from me?
|
| Norma, they don’t want you in every scene
|
| Of course they do. |
| What else would they have come for? |
| Put it back
|
| I’d made my first big mistake
|
| I’d put my foot in the quicksand
|
| It wouldn’t be a few days
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| Paste and scissors
|
| This would take weeks
|
| The house was always so quiet
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| Just me and Max and that organ
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| No one phoned and nobody ever came
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| And there was only one kind
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| Of entertainment on hand
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| Max, what’s on this evening?
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| I hope it’s not one of her weepy melodramas
|
| We’ll be showing
|
| One of Madam’s enduring classics
|
| The Ordeal of Joan of Arc
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| Oh, God
|
| We saw that last week
|
| A masterpiece can never pall
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| She is the greatest star of all |