| In December, the rains came. |
| One great big package, over-sized, just like
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| everything else in California; |
| and it came right through the roof of my room
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| above the garage. |
| So she had me moved into the main house. |
| Into what Max called
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| «the room of the husbands». |
| And on a clear day, the theory was, you could see
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| Catalina. |
| And little by little I worked through to the end of the script.
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| At which point I might have left: only by then those two boys from the finance
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| company had traced my car and towed it away, and I hadn’t seen one single
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| dollar of cash money since I arrived
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| Stop that! |
| Today’s the day
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| What do you mean?
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| Max is going to deliver the script to Paramount
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| You’re really going to give it to DeMille?
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| I’ve just spoken with my astrologer. |
| She read DeMille’s horoscope; |
| she read mine
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| Did she read the script?
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| DeMille is Leo; |
| I’m Scorpio. |
| Mars is transiting Jupiter and today is the day of
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| closest conjunction
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| Oh well, that’s all right, then
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| Max
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| Yes, Madame
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| Make sure it goes to Mr. DeMille in person
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| Well…
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| Great day
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| It’s been real interesting
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| Yes… hasn't it?
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| I want to thank you for trusting me with your baby
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| Not at all, it is I who should thank you
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| Will you call and let me know as soon as you have some news?
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| Call? |
| Where?
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| My apartment
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| Oh, but you couldn’t possibly think of leaving now, Joe
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| Norma, the script is finished
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| No, Joe. |
| No. It’s just the beginning, it’s just the first draft.
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| I couldn’t dream of letting you go, I need your support
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| Well, I can’t stay
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| You’ll stay on with full salary, of course
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| Oh, Norma, it’s not the money — Yes, of course, I’ll stay until we get some
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| sort of news back from Paramount
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| Thank you. |
| Thank you, Joe
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| So, Max wheeled out that foreign bus
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| Brushed the leopardskin upholstery
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| He trundled along to Paramount
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| To hand Cecil B. our hopeless opus
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| My work was over
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| I was feeling no pain
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| Locked up like John the Baptist |