Song information On this page you can read the lyrics of the song Mexican War Streets , by - mewithoutYou. Song from the album Pale Horses, in the genre Пост-хардкорRelease date: 15.06.2015
Record label: Big Scary Monsters
Song language: English
Song information On this page you can read the lyrics of the song Mexican War Streets , by - mewithoutYou. Song from the album Pale Horses, in the genre Пост-хардкорMexican War Streets |
| Though by the path I lead |
| The passing of time and the pouring of tea |
| Are all I’ve lately seen |
| O my soul |
| Until the temporal bridge be burned |
| Until our anchor stocks hold firm |
| Where the hands of clocks don’t turn |
| O my soul |
| May our lips remain discreet |
| While your traps are beneath our feet |
| But how long before our tails are caught |
| By our «free"thought? |
| Sugar in the cane, candles low |
| Kettle on the flame for the teapot? |
| No I tremble at the thought |
| Sugar in the cane, candles low |
| Southside Flats where the upscale go |
| I tremble at the thought! |
| I tremble at the thought! |
| On the Streets of Mexican Wars |
| I battle with the |
| Memory of a first fight |
| In our contemptible youth |
| I «ed White Nights |
| Thinking that’d get rid of you |
| And waited with a stone in my hand |
| But you were quite right: |
| Nature had another plan |
| (&failed to run it by me) |
| Nature had another plan |
| Some other surrogate self |
| To live in the sediment of so many somebody elses' |
| Innumerable lives and you were right: |
| It’s not a person who dies |
| But worlds die inside us |
| Sugar in the cane and the candles are low |
| On the West End Bridge looking down at the Ohio River |
| I tremble at the thought of what’s often referred to as 'karma.' |
| The sugar and the candles are gone |
| You panic like a mouse when the lights go on |
| (I ADMIT, IT WARMS MY HEART TO WATCH YOUR WORLD FALL APART) |
| The colorful hills talked me down from the bridge: |
| To heck with all the drugs my parents did |
| I’d like to meet whoever said the words we print in red |
| With a coin in my teeth on the Mexican War Streets |
| Rivers of sadness and mutual need |
| In the loud desperation of social routine |
| The rock of salvation, lightly esteemed |
| And distance surging like oceans between us |
| Suspended by strings over rotating wheels |
| Via magnets and springs of Carnegie steel |
| With representation our fashionable theme |
| And unfathomably powerful forces |
| Like oceans between us |
| We have all the signs we need |
| Do we decide not to read? |
| My will and those who precede: the relation between |
| Is listening beside me |
| At night like some seismic machine |
| While the metal vibrations of petrified men |
| Are etched in translation by pendulum pens |
| And the movements of underground plates |
| Do nothing to bridge or exacerbate |
| Oceans between us |
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|---|---|
| January 1979 | 2003 |
| In A Sweater Poorly Knit | |
| Silencer | 2001 |
| The Fox, The Crow And The Cookie | 2008 |
| Julia (or, ‘Holy to the LORD’ on the Bells of Horses) | 2018 |
| My Exit, Unfair | 2003 |
| Red Cow | 2016 |
| Every Thought A Thought Of You | 2008 |
| Grist for the Malady Mill | 2015 |
| Torches Together | 2003 |
| Gentlemen | 2001 |
| Pale Horse | 2015 |
| Everything Was Beautiful And Nothing Hurt | 2001 |
| Fox's Dream of the Log Flume | 2015 |
| Elephant in the Dock | 2015 |
| Bullet To Binary | 2001 |
| The Soviet | 2003 |
| Seven Sisters | 2003 |
| Tie Me Up! Untie Me! | 2003 |
| Nine Stories | 2015 |