| Like I’m an entertainer, I’m in show business, and I like to speak for all
|
| people that’s in show business, lot of people don’t understand. |
| They look at us
|
| different, but there’s no difference we need the same thing, that you need.
|
| It’s simple like, let’s say if you were away from home, know what I mean?
|
| And uh, you make home, or you try, or you make an attempt to make home,
|
| where it was, know what I mean? |
| Where it is
|
| So like uh, so like a few days ago, I was in uh, Chicago, and after the show I
|
| had previously I had seen this young lady sitting backstage and she was uh,
|
| seem like she had a whole lot of time on her hands, or I didn’t know.
|
| So after the show, I was a little lonely and I didn’t want to go back to the
|
| hotel by myself, and I had been feeling her vibe all through the whole night,
|
| so I said," Hey Baby what’re you doin after the show?" |
| She said'"
|
| Oh I ain’t doin nothin."
|
| I said,"Well dig, like I’m at the Holiday Inn room 234, why don’t you stop by
|
| and have a drink?" She said,"Aw you don’t wanna buy me no drink,
|
| you can buy me a drink right here." Said,"You just wanna get me up in your
|
| room." You know? And so many times this is said to entertainers and it makes em
|
| feel so bad, you know what I mean?
|
| It’s like, I’ve always been the kind of person if that was the case I would
|
| tell you,"Yes I want you in my room." |
| The only reason you’d be hangin around
|
| was because you would want to be there anyway, or was waitin on an opportunity
|
| if that was the case. |
| Know what I mean? |
| See what people gotta learn is to start
|
| doing is don’t d-don't don’t be jivin yourself, you can’t fool yourself.
|
| You know? |
| I’m just gon, if I if if I want water, I’m gon ask for water I’ll
|
| say,"Say I’m thirsty." |
| You know what I mean? |
| But the whole thing to all of this
|
| is just that, you know Imma be gone tomorrow, I mean even if I wanted to stay
|
| my job won’t permit me to. |
| You know what I mean? |
| It gets real technical,
|
| it gets down in the contract, agencies. |
| People like that you know?
|
| And it’s all about money, and it seems, but with me it’s all about feelings
|
| I don’t wanna get you involved, I don’t wanna mess up your life if you got
|
| somethin goin, like keep a man, it’s cool to have a man from 9 to 5.
|
| Ain’t nuthin wrong with that. |
| Like I say, don’t get hung up on me,
|
| cause tomorrow I might be gone on down the road. |
| It’s cool if you can handle
|
| it, if you got a good man remember one thing
|
| (End of Monolouge)
|
| (Bobby sings)
|
| Oh, he’ll be there, when your sun go down
|
| And I’ll be somewhere runnin down that same old line
|
| In another town
|
| I thought I’d let you know, where I’m comin from
|
| I don’t really mean you no wrong
|
| But I gotta keep movin on, gotta keep movin on
|
| And he’ll be there when your lights go dim
|
| So why chase me up and down the road
|
| And in your mind you know you should be with him' ohh
|
| I can’t help, but we can’t help what we feel inside, baby
|
| Wanna let it out, be we all hung up on pride
|
| But oh pride can’t fulfill the need inside
|
| Come and get it, go on home, but leave it outside
|
| Ohh
|
| Cause he’ll be there, (I'm just tellin you like it is)
|
| When the sun go down
|
| You ain’t always be sweet sixteen, so while you still caryin little weight,
|
| find you somebody that’s gon really mean you some good
|
| Mmmmmm. |
| Listen to me
|
| But don’t get me wrong
|
| I fall in love like any other man do
|
| But I gotta keep movin from place to place
|
| And in my heart, I might just wanna be with you
|
| I have to get it where I can
|
| Can’t you see I’m like ohhh any other man |