| Imagine this
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| Wiley and God’s Gift at war
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| You know why?
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| All because my man doesn’t wanna step forward with the times
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| His brain’s still seven years back when he done MIC Tribute, yeah? |
| (Yeah)
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| And that’s not really my problem (Never)
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| But right now, I’ve got stuff to say because think yout thinks I’m a boy for
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| him (Yo)
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| Well I gotta let him know, listen (Listen)
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| You haven’t done nothing since MIC Tribute (MIC Tribute)
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| Nothing
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| Flirting around with Pay As You Go, doing couple of things but nothing really
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| (Really)
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| Year in and year out, I do work, innit
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| And I come around for you and try and help you (Without fail)
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| But what do you do?
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| Alright, forget that
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| Doesn’t matter what you do
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| But you don’t wanna do work, innit, but I wanna do work, innit
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| Because I’m not one of them boys from the past who ain’t got the answer, I’m not
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| It’s not that rude boy (Never)
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| I’m trying to do work everyday but what do you wanna do?
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| So you wanna sit down Roman?
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| You wanna sit down Roman? |
| That’s alright, I sit down Roman
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| When it’s time to go studio, though
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| Man’s in the studio, everyone’s strapping bars and my man’s in the corner
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| Not really with bars regular (Not really)
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| And that’s not my fault (Never)
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| That’s not my fault
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| You’re music man
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| I don’t know why in this Earth you would try and portray to be something other
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| than a music man when I met you when you was a little boy
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| You was bussing ragga lyrics, you was a music yout
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| Now it’s 2006, you wanna be a killer? |
| (Why?)
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| And you wanna be a badman? |
| (Why?)
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| Then really, the microphone is for you
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| You and the microphone are meant to be in contact
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| Instead, you wanna run around the street like some bumbahole
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| Yeah? |
| (Yeah?)
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| That’s what you wanna do
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| And you wanna talk about «Wiley, you don’t rep E3» and «Wiley don’t do nothing»
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| (Pick up the mic) and you’re telling me that I don’t rep- brother (Pick up the
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| mic)
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| You said to me I don’t rep
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| And I ain’t nothing, all I’ve ever done is say «Bow E3» rude boy and you know
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| that (Bow E3), yeah?
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| Going on like you had beef
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| Jerome, you have not had more beef than me (Jerome)
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| You haven’t (Jerome what happened in Napa?)
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| And I had to run, I’ve been on the receiving end (What happened in Napa fam?
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| ), I’ve got people
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| But I’m 27 and I’m a big achiever and you have not had more beef than me, yeah?
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| (I don’t know what’s wrong with you)
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| And it’s not even about beef, so you’re an idiot (Not even about)
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| It’s not about how much beef you’ve had (Prick)
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| All the beefs I had, I’ve never wanted to have beef, innit
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| It just happens, innit (Doughnut)
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| And that’s why I gotta tell you, listen
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| When you see me
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| If you’re not on music and you’re on some ting
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| That’s alright, you know I don’t care about that
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| But think in your head
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| Are you a music boy? |
| Are you a- or are you on the roads? |
| Are you a gunman?
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| Because everyone else in Bow, outside Bow looks at you as a music man, rude boy,
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| yeah?
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| So there’s no point trying to front, none at all
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| Just stay music, do music
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| Like when you’re telling all the badman, gunman stories, people in their head,
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| in Bow, they’re looking at you saying «nah, he’s lying» they don’t believe you,
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| brother, so it doesn’t make sense
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| Because it’s like, I’m helping you, they don’t believe you
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| So, jump back on the ting, come
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| I’m here, I’m doing my ting, talk to me rude boy (I'm here)
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| Eskiboy, Bow E3, all day, I rep, I do music for the area
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| And you can’t say shit, rude boy, yeah?
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| You can’t say nothing, Eskiboy, Bow E3
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| Richard Kylea, Cowie, Wiley (Yeah?)
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| Old school, Bow Boys
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| From the days of the hot dogs and ice creams, yeah? |
| (Normal)
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| Shut your mouth |