| THERE IS A CHILD AND SHE SLEEPS IN THE GUTTER
|
| DON’T CLOSE YOUR EYES AND SHE’S EASY TO SEE
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| SHE IS NOT YOUR CHILD
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| SHE’S ALWAYS ANOTHER’S
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| AND THOSE YOU ABANDON
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| THEY ARE LEFT TO ME
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| AND KNOW I WILL IMPALE HER LIKE A KNIFE
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| LEAVE HER TWISTING DAY AFTER DAY AFTER DAY OF A VERY SHORT LIFE WITH ME
|
| LISTEN NOW CLOSELY AND HEAR HOW I’VE PLANNED IT
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| PLEASE LET ME TELL YOU JUST HOW IT WILL BE
|
| SHE’LL FEEL THE PAIN BUT SHE WON’T UNDERSTAND IT
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| SHE’LL THINK IT’S HER FATE
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| BUT WE’LL KNOW IT’S ME
|
| AND KNOW I WILL IMPALE HER LIKE A KNIFE
|
| LEAVE HER TWISTING DAY AFTER DAY AFTER DAY OF A VERY SHORT LIFE
|
| WITH ME
|
| SO LET ME KNOW
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| HAVE I BEEN CLEAR
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| THAT I WILL MAGNIFY EACH CUT AND EVERY BRUISE AND EVERY
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| SINGLE CHILDHOOD TEAR
|
| I’LL PICK HER SCABS
|
| CRIPPLE A HAND
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| PUSH A FINGER IN EACH WOUND I MAKE
|
| NOW TELL ME THEN
|
| DO YOU UNDERSTAND
|
| YOU UNDERSTAND?
|
| YOU UNDERSTAND
|
| YOU UNDERSTAND?
|
| YOU UNDERSTAND
|
| AND KNOW I WILL IMPALE HER LIKE A KNIFE
|
| LEAVE HER TWISTING DAY AFTER DAY AFTER DAY OF A VERY SHORT LIFE
|
| WITH ME
|
| [If Beethoven will release to him this final musical
|
| creation, then Mephistopheles will give up all claims
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| on the child, irrevocably removing himself and all
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| his evil underlings from the child’s life for all eternity.]
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| [Beethoven immediately turns away,
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| determined to give a firm and final no.
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| But before the word can leave his lips he finds himself
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| looking back out the window.
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| He tries to convince himself that the child means nothing
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| to him, especially when compared to the Tenth Symphony.
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| But with every word disclaiming her,
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| she digs deeper and deeper into his soul.] |