| Love unrequited, robs me of me rest | 
| Love, hopeless love, my ardent soul encumbers | 
| Love, nightmare like, lies heavy on me chest | 
| And weaves itself into my midnight slumbers | 
| When you’re lying awake with a dismal headache and | 
| Repose is taboo’d by anxiety | 
| I conceive you may use any language you choose to indulge in, without | 
| impropriety; | 
| For your brain is on fire, the bed-clothes conspire of usual slumber to plunder | 
| you: | 
| First your counter-pane goes, and uncovers your toes | 
| And your sheet slips demurely from under you; | 
| Then the blanketing tickles, you feel like mixed pickles | 
| So terribly sharp is the pricking | 
| And you’re hot and you’re cross, and you tumble and toss | 
| 'Til there’s nothing 'twixt you and the ticking | 
| Then the bed-clothes all creep to the ground in a heap | 
| And you pick 'em all up in a tangle; | 
| Next your pillow resigns and politely declines to | 
| Remain at it’s usual angle! | 
| Well, you get some repose in the form of a dose | 
| With hot eye-balls and head ever aching | 
| But your slumbering teems with such horrible dreams | 
| That you’d very much better be waking; | 
| For you dream you are crossing the channel, and | 
| Tossing about in a steamer from Harwich | 
| Which is something between a large bathing machine and | 
| A very small second class carriage | 
| And you’re sucking a treat (penny ice and cold meat) | 
| To a party of friends and relations | 
| They’re a ravenous horde, and they all come on board | 
| At Sloane Square and South Kensington stations | 
| And bound on that journey you find your attorney | 
| Who started that morning from Devon; | 
| He’s a bit undersiz’d and you don’t feel surpris’d | 
| When he tells you he’s only eleven | 
| Well you’re driving like mad with this singular lad | 
| (By the bye the ship’s now a four wheeler) | 
| And you’re playing round games, and he calls you bad names When you tell him | 
| that «ties pay the dealer»; | 
| But this you can’t stand so you throw up your hand | 
| And you find you’re as cold as an icicle; | 
| In your shirt and your socks (the black silk with gold clocks) Crossing | 
| Sal’sbury Plain on a bicycle: | 
| And he and the crew are on bicycles too | 
| Which they’ve somehow or other invested in | 
| And he’s telling the tars all the particulars | 
| Of a company he’s interested in; | 
| It’s a scheme of devices, to get at low prices | 
| All good from cough mixtures to cables which tickled the sailors | 
| By treating retailers as though they were all vegetables; | 
| You get a good spadesman to plant a small tradesman | 
| (First take off his boots with a boot tree) | 
| And his legs will take root, and his fingers will shoot | 
| And they’ll blossom and bud like a fruit tree; | 
| From the green grocer tree | 
| You get grapes and green pea, cauliflower, pine apple and cranberries | 
| While the pastry cook plant cherry brandy | 
| Will grant apple puffs, and three corners, and banburys; | 
| The shares are a penny and ever so many | 
| Are taken by Rothschild and Baring | 
| And just as a few are allotted to you | 
| You awake and with a shudder despairing | 
| You’re a regular wreck, with a crick in your neck, and | 
| No wonder you snore, for your head’s on the floor | 
| And you’ve needles and pins from your soles to your shins | 
| And your flesh is acreep, for your left leg’s asleep | 
| A cramp in your toes, and a fly on your nose | 
| And some fluff in your lung, and a feverish tongue | 
| And a thirst that’s intense | 
| The general sense that you haven’t been sleeping in clover; | 
| But the darkness has pass’d, and it’s daylight at last | 
| And the night has been long, ditto, ditto my song | 
| And thank goodness they’re both of them over! |