Song information On this page you can find the lyrics of the song The Opera, artist - Original Broadway Company of Natasha, Pierre & the Great Comet of 1812.
Date of issue: 18.05.2017
Song language: English
The Opera |
The opera, the opera! |
Stop mooning and moaning, we’ll miss the curtain! |
Ladies |
Welcome to the opera |
Bare arms and shoulders |
Brilliant uniforms |
Pearls and silk |
Glittering before our eyes |
Feminine envy |
A whole crowd of memories |
Desires and emotions |
Natasha, smooth your gown |
Natasha, smooth your gown |
Looking in the glass |
I see I am pretty |
Not a girl anymore |
I’ve never felt like this before |
Hundreds of eyes |
Looking at my bare arms |
My bare arms and neck |
My bare arms and shoulders |
The two remarkably pretty girls |
Had not been seen in Moscow in many years |
Everybody knew vaguely of Natasha’s engagement |
One of the finest matches in all of Russia |
Look, there’s Alexey, home from the war at last |
He has changed |
Dear me, Michael Kirilovich has grown still stouter! |
There’s Boris and Julie, engaged |
And Anna Mikhaylovna, what a headdress she has on! |
And is that Natasha |
And is that Natasha |
And is that Natasha |
They are looking at me |
They are talking about me! |
They all like me so much |
The women envious |
The men calming their jealousy |
Announcing Fedya Dolokhov |
He dominates Moscow’s most brilliant young men |
He stands in full view |
Well aware he’s attracting attention |
Yet as much at ease as though he were in his own room |
Dolokhov was in the Caucasus |
And he killed the Shah’s brother! |
Now all the Moscow ladies are mad about him |
Dolokhov the assassin! |
Announcing Countess Hélène Bezukhova |
The queen of society |
Beautiful, barely clothed |
Plump bare shoulders, and much-exposed neck |
Round which she wears a double string of pearls |
Hélène and Dolokhov, arm in arm |
Pierre the cuckold sits at home |
Pierre the cuckold sits at home |
The poor man |
No, I am enjoying myself at home this evening |
Oh, that neck |
Oh, those pearls |
So beautiful |
What a charming young girl |
So enchanting |
I blush scarlet |
Countess Bezukhova, Pierre’s wife |
Have you been here long? |
And where is dear Pierre? |
He never used to forget us |
Yes Pierre, that good man |
A little sad, a little stout |
He must come visit us |
I will implore him to do so |
There’s a woman one should stay far away from |
Now Natasha |
The curtain rises |
The curtain rises |
Everyone in the boxes and the stalls became silent |
All the men, old and young, in uniform and evening dress |
All the women in the hall |
With gems on their bare flesh |
Turned their whole attention |
With curiosity to the stage |
Two singers perform a scene from an avant-garde opera |
It is grotesque and amazing |
Grotesque and amazing |
I cannot follow the opera |
Or even listen to the music |
I see painted cardboard |
Queerly dressed actors |
Moving and singing so strangely in the lights |
So false and unnatural |
I’m ashamed and amused |
And everyone else seems oblivious |
Yes everyone feigns delight |
And feeling the flood of brilliant lights |
The warm perfumed air heated by the crowd |
Natasha little by little |
Began to pass into a state of intoxication |
Oh I’d tickle you all if I could |
Oh I’d tickle you all if I could |
And then |
A rush of cold air |
An exceptionally handsome man walked in |
With a confident yet courteous air |
This was Hélène's brother |
Anatole Kuragin |
He moved with a swagger |
Which would have been ridiculous |
Had he not been so good-looking |
And though it was the middle of the act |
He walked right down the aisle |
His sword and spurs jangling |
His handsome perfumed head held high |
And he looked right at Natasha |
Mais charmante |
And he took his place in the front row next to Dolokhov |
How handsome he is |
How intoxicating |
In the second act there were tombstones |
The moon over the footlights |
Horns and contrabass |
Black cloaks and daggers in their hands |
I turn around again and our eyes meet |
He gazes straight into my eyes |
He is talking about me |
Candles burning |
A crimson throne |
The Tsar wails a mournful tune |
They all wave their arms |
And everybody cheers |
«Bravo, bravo!» |
Every time I look at him |
He’s looking at me |
Every time I look at him |
He’s looking at me |
Every time I look at him |
A terrible noise, a clatter in the crowd |
A storm of chromatic scales and diminished sevenths |
With rapturous faces everyone was shouting |
Screaming and shouting, «Bravo!» |
Bravo, bravo |
Bravo, bravo |
Bravo, bravo |
And then |
A rush of cold air |
And Anatole entered the box |