| Take a single oscillator
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| Producing a drone
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| Send it to the wave shaper
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| Altering the tone
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| This can be a triangle
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| Sawtooth or a square
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| Modulate the pulse width
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| Nobody will care
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| This is how to play the synthesizer
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| This is how to play the synthesizer
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| Now go to the filter bank
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| Low, high, band or notch
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| Fiddle with the cutoff point
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| Pour yourself a Scotch
|
| Modern filters oscillate
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| All by themselves
|
| It sounds like you’re torturing
|
| Little metal elves
|
| This is how to play the synthesizer
|
| This is how to play the synthesizer
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| Nextly, shape the envelope
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| AKA ADSR
|
| Attack, delay, sustain, release
|
| Which means how loud you are
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| One millisecond to the next
|
| Whether you pluck or lurch
|
| Or ooze like an organist
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| In a Venusian church
|
| This is how to play the synthesizer
|
| This is how to play the synthesizer
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| Now you play the synthesizer
|
| Don’t be lazy now
|
| Make it hiss like rattlesnakes
|
| Or moo like a cow
|
| Crash like a hundred marbles
|
| Smashing on the floor
|
| You can make a thousand sounds
|
| Never heard before
|
| This is how to play the synthesizer
|
| This is how to play the synthesizer |