| You gave me a chance at the Palais to dance to prove I’m worth your time,
|
| You gave me a chance to prove I’m more than just an also ran
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| A knife for the girls who want to come home for just one night,
|
| A knife for the girls who never return your calls
|
| You gave me a chance at the Palais to dance to prove I’m worth your time,
|
| You gave me a chance to prove I’m more than just an also ran
|
| Something happened to change your mind, something happened I don’t know why,
|
| And now you reach for my hand and you cut me again
|
| You’ve got a knife for the girls and a knife for the man
|
| I don’t mind seeing your face around, but we can never speak again
|
| (no no no)
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| A knife for the men who’ve taken the heat off you this time,
|
| A knife for the men who keep you awake at night
|
| This could be the last time you could say for sure
|
| You know I’m here if you need a girl
|
| Something happened to change your mind, something happened I don’t know why,
|
| And now you reach for my hand and you cut me again
|
| You’ve got a knife for the girls and a knife for the man
|
| I don’t mind seeing your face around, but we can never speak again
|
| (no no no)
|
| But in a back room in high heels when you said I was a superstar,
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| what did you mean, what did you mean?
|
| High heels, high heels, high heels,
|
| Well in a back room in high heels, what did you mean?
|
| Now you reach for my hand and you cut me again,
|
| You’ve got a knife for the girls and a knife for the man
|
| I don’t mind seeing your face around, but we can never speak again
|
| I got my souvenir, I got my souvenir
|
| Well, in a back room in high heels I got my souvenir
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| My baby doll, don’t go to London,
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| Don’t go to London, no no no
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| Don’t go to London,
|
| Don’t go to London, no no no
|
| Don’t go to London,
|
| Don’t go to London, no no no
|
| Don’t go to London,
|
| Don’t go to London, no no no |