Song information On this page you can read the lyrics of the song The Green Man , by - The Clientele. Song from the album Minotaur, in the genre Иностранный рокRelease date: 05.09.2010
Record label: Pointy
Song language: English
Song information On this page you can read the lyrics of the song The Green Man , by - The Clientele. Song from the album Minotaur, in the genre Иностранный рокThe Green Man |
| He was already drunk, and becoming slightly pompous; |
| the pub jukebox blared in |
| the corner, and outside, crowds flowed with supernatural ease through the Green |
| Park arcades, and downhill to the river, sifting through glass-fronted |
| boutiques, leaving for Metroland and the Christmas break. |
| I listened because I |
| had nothing better to do: all my friends had gone, and he’d bought me a drink |
| «That winter,» he said, «I went back to the family house, which was then at the |
| edge of a large and half-finished estate. |
| It was still and quiet, |
| backing onto a copse the bulldozers had missed when they levelled the heath. |
| The drab light lent everything an insubstantiality, intensifying the curious |
| end-of-term feeling I had, the sense that the days themselves were somehow |
| exhausted |
| Three windows took up one side of the dining room, with a steadily murmuring |
| radiator underneath. |
| Enamel paint curled away from the window frame in flakes |
| and peels, and the hot metal in the room gave off its alienating, |
| faintly acidic smell. |
| I remember clouds drifting in, and I watched them pick |
| up the red flare of the streetlights.» |
| This last point emphasised by a moment of silence, which he filled with a look |
| around the bar |
| «Late one night a figure appeared in the garden. |
| It was almost pathetic; |
| hungry-looking. |
| boss-eyed and twisted. |
| Under the faint light that the room |
| cast over the gravel, I could see that its skin was made of flowers. |
| It was hollow. |
| It shied like an animal, and disappeared into the wood |
| I knew it — you would have too, if you’d been there; |
| it was a figure I’d |
| glimpsed in a car park as a child; |
| an expression crossing the face of a |
| stranger late one night at Waterloo Station as I hurried for a train with my |
| parents; |
| a carving in the portico of a mediaeval church. |
| In some nightmarish |
| way it was particular, and it was also infinite. |
| It was itself, it was the wood, |
| it was the last roses in the garden, and yet it was also a wider sentience, |
| perhaps best described as the feeling that the trees and fields we look at |
| have always secretly been looking back into us |
| The air felt charged, somehow electric, and as I stared at the place it had |
| been, I became aware of a smell of dust. |
| I smelt the billions of falling |
| microscopic specks, the ghost dust-rain that surrounds all of us, all the time. |
| For one moment of hyper-awareness I could read its mixtures and vintages, |
| the histories and provenance of each particle of dust in the room. |
| And faintly, hauntingly, somewhere on the edge of all the others, |
| I smelt the surviving dust of 1978 |
| It was a dust of forgotten piano lessons; |
| church halls; |
| school gatherings in |
| terrapin huts. |
| Back then, to a child’s nose, even the smell of glass differed |
| from room to room, and for one second I could smell all the mirrors and the |
| windows of those lost days, the unbounded spaces between them; |
| it was a dust of |
| the exhaust fumes of Austin Allegros, the naked wooden floors of a new house, |
| bike tyres and long-discontinued cigarette brands. |
| A dust that conjured pools |
| of evening light, mysterious journeys, finished lives, dreads and hopes of an |
| almost atavistic intensity |
| I blinked, I seem to remember I was terrified, but at the same time so |
| surprised, so overwhelmed with longing, with love for the past, love for the |
| dead, that at that moment fear had no real meaning: I inhabited a bright, |
| blank space that I’d encountered once before when I dislocated my knee on a |
| rugby field |
| Then neither quickly nor gradually, it was gone. |
| The room returned, |
| and with it the seamlessness, the ordinary loneliness of the night. |
| I never saw that figure, or anything like him, again |
| Days later, when the weather had broken, I looked over the hill, past the woods, |
| and the developer’s tracks and pylons. |
| The freezing air seemed to distort the |
| sounds of the construction vehicles, and their bleeps and revs sang like human |
| voices. |
| I remember thinking, 'If the world was one degree stranger, |
| one degree more fluid, I could have escaped and joined myself back there, |
| I could have disappeared forever. |
| But it isn’t, and I’m stranded here, |
| split into two, getting ready for bed in a dormitory town.' |
| «He drank. |
| Dark had fallen; |
| the world was moving forward confidently, tangibly |
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|---|---|
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| (I Can't Seem To) Make You Mine | 2015 |
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| We Could Walk Together | 2015 |
| I Had to Say This | 2000 |
| Monday's Rain | 2000 |
| Joseph Cornell | 2000 |
| (I Want You) More Than Ever | 2000 |
| Since K Got over Me | 2015 |
| Bookshop Casanova | 2015 |
| An Hour Before the Light | 2000 |
| Losing Haringey | 2015 |
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| Harvest Time | 2015 |
| As Night Is Falling | 2000 |
| Missing | 2015 |
| Bicycles | 2000 |
| Five Day Morning | 2000 |
| Lacewings | 2000 |
| Bonfires on the Heath | 2009 |