| He was already drunk, and becoming slightly pompous; |
| the pub jukebox blared in
|
| the corner, and outside, crowds flowed with supernatural ease through the Green
|
| Park arcades, and downhill to the river, sifting through glass-fronted
|
| boutiques, leaving for Metroland and the Christmas break. |
| I listened because I
|
| had nothing better to do: all my friends had gone, and he’d bought me a drink
|
| «That winter,» he said, «I went back to the family house, which was then at the
|
| edge of a large and half-finished estate. |
| It was still and quiet,
|
| backing onto a copse the bulldozers had missed when they levelled the heath.
|
| The drab light lent everything an insubstantiality, intensifying the curious
|
| end-of-term feeling I had, the sense that the days themselves were somehow
|
| exhausted
|
| Three windows took up one side of the dining room, with a steadily murmuring
|
| radiator underneath. |
| Enamel paint curled away from the window frame in flakes
|
| and peels, and the hot metal in the room gave off its alienating,
|
| faintly acidic smell. |
| I remember clouds drifting in, and I watched them pick
|
| up the red flare of the streetlights.»
|
| This last point emphasised by a moment of silence, which he filled with a look
|
| around the bar
|
| «Late one night a figure appeared in the garden. |
| It was almost pathetic;
|
| hungry-looking. |
| boss-eyed and twisted. |
| Under the faint light that the room
|
| cast over the gravel, I could see that its skin was made of flowers.
|
| It was hollow. |
| It shied like an animal, and disappeared into the wood
|
| I knew it — you would have too, if you’d been there; |
| it was a figure I’d
|
| glimpsed in a car park as a child; |
| an expression crossing the face of a
|
| stranger late one night at Waterloo Station as I hurried for a train with my
|
| parents; |
| a carving in the portico of a mediaeval church. |
| In some nightmarish
|
| way it was particular, and it was also infinite. |
| It was itself, it was the wood,
|
| it was the last roses in the garden, and yet it was also a wider sentience,
|
| perhaps best described as the feeling that the trees and fields we look at
|
| have always secretly been looking back into us
|
| The air felt charged, somehow electric, and as I stared at the place it had
|
| been, I became aware of a smell of dust. |
| I smelt the billions of falling
|
| microscopic specks, the ghost dust-rain that surrounds all of us, all the time.
|
| For one moment of hyper-awareness I could read its mixtures and vintages,
|
| the histories and provenance of each particle of dust in the room.
|
| And faintly, hauntingly, somewhere on the edge of all the others,
|
| I smelt the surviving dust of 1978
|
| It was a dust of forgotten piano lessons; |
| church halls; |
| school gatherings in
|
| terrapin huts. |
| Back then, to a child’s nose, even the smell of glass differed
|
| from room to room, and for one second I could smell all the mirrors and the
|
| windows of those lost days, the unbounded spaces between them; |
| it was a dust of
|
| the exhaust fumes of Austin Allegros, the naked wooden floors of a new house,
|
| bike tyres and long-discontinued cigarette brands. |
| A dust that conjured pools
|
| of evening light, mysterious journeys, finished lives, dreads and hopes of an
|
| almost atavistic intensity
|
| I blinked, I seem to remember I was terrified, but at the same time so
|
| surprised, so overwhelmed with longing, with love for the past, love for the
|
| dead, that at that moment fear had no real meaning: I inhabited a bright,
|
| blank space that I’d encountered once before when I dislocated my knee on a
|
| rugby field
|
| Then neither quickly nor gradually, it was gone. |
| The room returned,
|
| and with it the seamlessness, the ordinary loneliness of the night.
|
| I never saw that figure, or anything like him, again
|
| Days later, when the weather had broken, I looked over the hill, past the woods,
|
| and the developer’s tracks and pylons. |
| The freezing air seemed to distort the
|
| sounds of the construction vehicles, and their bleeps and revs sang like human
|
| voices. |
| I remember thinking, 'If the world was one degree stranger,
|
| one degree more fluid, I could have escaped and joined myself back there,
|
| I could have disappeared forever. |
| But it isn’t, and I’m stranded here,
|
| split into two, getting ready for bed in a dormitory town.' |
| «He drank. |
| Dark had fallen; |
| the world was moving forward confidently, tangibly |