Song information On this page you can find the lyrics of the song The Green Man, artist - The Clientele. Album song Minotaur, in the genre Иностранный рок
Date of issue: 05.09.2010
Record label: Pointy
Song language: English
The Green Man |
He was already drunk, and becoming slightly pompous; |
the pub jukebox blared in |
the corner, and outside, crowds flowed with supernatural ease through the Green |
Park arcades, and downhill to the river, sifting through glass-fronted |
boutiques, leaving for Metroland and the Christmas break. |
I listened because I |
had nothing better to do: all my friends had gone, and he’d bought me a drink |
«That winter,» he said, «I went back to the family house, which was then at the |
edge of a large and half-finished estate. |
It was still and quiet, |
backing onto a copse the bulldozers had missed when they levelled the heath. |
The drab light lent everything an insubstantiality, intensifying the curious |
end-of-term feeling I had, the sense that the days themselves were somehow |
exhausted |
Three windows took up one side of the dining room, with a steadily murmuring |
radiator underneath. |
Enamel paint curled away from the window frame in flakes |
and peels, and the hot metal in the room gave off its alienating, |
faintly acidic smell. |
I remember clouds drifting in, and I watched them pick |
up the red flare of the streetlights.» |
This last point emphasised by a moment of silence, which he filled with a look |
around the bar |
«Late one night a figure appeared in the garden. |
It was almost pathetic; |
hungry-looking. |
boss-eyed and twisted. |
Under the faint light that the room |
cast over the gravel, I could see that its skin was made of flowers. |
It was hollow. |
It shied like an animal, and disappeared into the wood |
I knew it — you would have too, if you’d been there; |
it was a figure I’d |
glimpsed in a car park as a child; |
an expression crossing the face of a |
stranger late one night at Waterloo Station as I hurried for a train with my |
parents; |
a carving in the portico of a mediaeval church. |
In some nightmarish |
way it was particular, and it was also infinite. |
It was itself, it was the wood, |
it was the last roses in the garden, and yet it was also a wider sentience, |
perhaps best described as the feeling that the trees and fields we look at |
have always secretly been looking back into us |
The air felt charged, somehow electric, and as I stared at the place it had |
been, I became aware of a smell of dust. |
I smelt the billions of falling |
microscopic specks, the ghost dust-rain that surrounds all of us, all the time. |
For one moment of hyper-awareness I could read its mixtures and vintages, |
the histories and provenance of each particle of dust in the room. |
And faintly, hauntingly, somewhere on the edge of all the others, |
I smelt the surviving dust of 1978 |
It was a dust of forgotten piano lessons; |
church halls; |
school gatherings in |
terrapin huts. |
Back then, to a child’s nose, even the smell of glass differed |
from room to room, and for one second I could smell all the mirrors and the |
windows of those lost days, the unbounded spaces between them; |
it was a dust of |
the exhaust fumes of Austin Allegros, the naked wooden floors of a new house, |
bike tyres and long-discontinued cigarette brands. |
A dust that conjured pools |
of evening light, mysterious journeys, finished lives, dreads and hopes of an |
almost atavistic intensity |
I blinked, I seem to remember I was terrified, but at the same time so |
surprised, so overwhelmed with longing, with love for the past, love for the |
dead, that at that moment fear had no real meaning: I inhabited a bright, |
blank space that I’d encountered once before when I dislocated my knee on a |
rugby field |
Then neither quickly nor gradually, it was gone. |
The room returned, |
and with it the seamlessness, the ordinary loneliness of the night. |
I never saw that figure, or anything like him, again |
Days later, when the weather had broken, I looked over the hill, past the woods, |
and the developer’s tracks and pylons. |
The freezing air seemed to distort the |
sounds of the construction vehicles, and their bleeps and revs sang like human |
voices. |
I remember thinking, 'If the world was one degree stranger, |
one degree more fluid, I could have escaped and joined myself back there, |
I could have disappeared forever. |
But it isn’t, and I’m stranded here, |
split into two, getting ready for bed in a dormitory town.' |
«He drank. |
Dark had fallen; |
the world was moving forward confidently, tangibly |