| Maestro, as you paint this picture would you
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| Tell me what — what’s going on
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| In your mind
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| Now the cross, the mystical, vertical cross
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| Out of black paint
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| (… via con questo coso per… cortesia…)
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| A cros comes down from the top left hand
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| Side of the canvas
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| (via con quella testa per cortesia!)
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| He has just thrown a bunch of gold paint
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| Which has not only hit me in the face
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| (… ostia…)
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| But has gone across the canvas to the
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| Applause of the crowd below
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| (… calma… aspetta… ahó aspetta cazoo, eh…
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| Adesso, aspetta!)
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| Now some black paint
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| (… giù con quella test! giù la testa nico… via
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| Via con quel coso lí porcoddio…)
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| This is the head, this is the head —
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| This is the head of the black death
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| The canvas and the photographers are
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| Covered with paint
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| I might add, its black paint and gold paint on
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| A white canvas
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| (… un pochettino un pochettino! cosí cosí dai!
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| Pií in lá!)
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| (crowd)
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| That was a — a big slash of paint
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| What is this
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| (Ah aaah ah ah (dialetto) è bellissimo? non
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| Va piè via… (dialetto) guarda
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| No, no, no! |
| Eeehh!)
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| Now he got even with the photographers who
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| Have been covering the canvas
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| And opens the canvas and out comes twelve
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| Pigeons! |
| Ha ha ha!
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| Twelve homing pigeons have just flown out of
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| The canvas
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| Maestro, what are you doing?
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| (applause)
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| You call this painting…
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| Le Lion de St. Mark
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| The lion of St. Mark
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| Hommage à Venice
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| Homage to Venice, the home (ha ha) of the
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| Lion of St. Mark |