| Load the car and write the note. | 
| Grab your bag and grab your coat. | 
| Tell the ones that need to know. | 
| We are headed north. | 
| One foot in and one foot back. | 
| But it don’t pay to live like that. | 
| So I cut the ties and I jumped the track. | 
| For never to return. | 
| Ahh Brooklyn, Brooklyn take me in. | 
| Are you aware the shape I’m in? | 
| My hands they shake, my head it spins. | 
| Ahh Brooklyn, Brooklyn take me in. | 
| When at first I learned to speak. | 
| I used all my words to fight. | 
| With him and her and you and me. | 
| Ahh, but it’s just a waste of time. | 
| Yeah it’s such a waste of time. | 
| That woman she’s got eyes that shine. | 
| Like a pair of stolen polished dimes. | 
| She asked to dance I said it’s fine. | 
| I’ll see you in the morning time. | 
| Ahh Brooklyn, Brooklyn take me in. | 
| Are you aware the shape I’m in? | 
| My hands they shake, my head it spins. | 
| Ahh Brooklyn, Brooklyn take me in. | 
| Three words that became hard to say. | 
| I and Love and You. | 
| What you were than I am today. | 
| Look at the things I do. | 
| Ahh Brooklyn, Brooklyn take me in. | 
| Are you aware the shape I’m in? | 
| My hands they shake, my head it spins. | 
| Ahh Brooklyn, Brooklyn take me in. | 
| Ahh Brooklyn, Brooklyn take me in. | 
| Are you aware the shape I’m in? | 
| My hands they shake, my head it spins. | 
| Ahh Brooklyn, Brooklyn take me in. | 
| Dumbed down and numbed by time and age. | 
| You’re dreams that catch the world the cage. | 
| The highway sets the travelers stage. | 
| All exits look the same. | 
| Three words that became hard to say. | 
| I and Love and You. | 
| I and Love and You. | 
| I and Love and You. |