| Yeah, hey, yeh
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| And who are you to be talkin 'bout, what I be doin man?
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| I’m the upper echelon, who is you to evaluate my performance?
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| How would you like it if I came to your job
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| And evaluated your performance?
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| Are you the best at what you do?
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| Your name don’t even come up in conversation man
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| Better get it while the gettin is good, and do what you do
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| No hesitation, ain’t no time for playin games
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| Go 'head and take all you can, and grab with both hands
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| Do it big or they won’t even know your name
|
| While the gettin is good, you do what you do
|
| No hesitation ain’t no time for playin games
|
| Go 'head and take all you can, and grab with both hands
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| Do it big or they won’t even know your name
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| Yo, aiyyo
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| What are you doin wit’cha life? |
| Your time on Earth is sacred
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| The time you spend at your plantation is it worth the paper?
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| It’s like you workin for nathan, the money’s circulatin
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| You can’t pay your mortgage but you buyin bottles perpetratin
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| Chill with them threatening raps
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| You sound lame, you a snake, you made the plane with your venomous acts
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| They call me Gentleman Sav
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| Cause I back Miss Congeniality like Benjamin Bratt
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| Attractin chicks who like the «Feminine Fatt»
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| While you only deal with the bitches, I deal with the realest women
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| It’s ill how they feel the rhythm in they mid-section
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| When they blessed with the child-bearin hips
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| But the softest pair of lips is when they hair get flipped
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| I love my culture and heritage, it keep me from being derelict
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| Invested in myself like this was Merrill Lynch
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| Been waitin for my second comin like I’m heavensent
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| Even though I’m not your savior I’ll grace you with my benevolence
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| Better get it while the gettin is good, and do what you do
|
| No hesitation, ain’t no time for playin games
|
| Go 'head and take all you can, and grab with both hands
|
| Do it big or they won’t even know your name
|
| While the gettin is good, you do what you do
|
| No hesitation ain’t no time for playin games
|
| Go 'head and take all you can, and grab with both hands
|
| Do it big or they won’t even know your name
|
| Yo, yo, yo
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| My style is unfadeable and haterproof, I’ll slay the booth
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| I’m known to interrupt the program like late breakin news
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| Some say its only eggheads that I cater to
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| Well wait a few in order to make an omelette I gotta break a few
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| My plate is full, I wasn’t 'sposed to be here but I made it through
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| My reputation grew, I left. |
| blood on the stage for you
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| How dare you say that my commitment is debatable
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| I’m married to the music; |
| you rhythm then I’m a slave to you
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| Commercial artists so relatable
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| The consumer appetite is insatiable, I could do what they could do easily
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| But then they’d say Kweli be seemin fake to you
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| Record sales ain’t makin you, money is motivatin you
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| The artist gotta lead I hope the fan base stay with you
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| The products shoddy if you rush it for the paper true
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| D’Angelo and Sade they, take a decade or two
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| Keep that good music comin and they’ll wait for you
|
| Better get it while the gettin is good, and do what you do
|
| No hesitation, ain’t no time for playin games
|
| Go 'head and take all you can, and grab with both hands
|
| Do it big or they won’t even know your name
|
| While the gettin is good, you do what you do
|
| No hesitation ain’t no time for playin games
|
| Go 'head and take all you can, and grab with both hands
|
| Do it big or they won’t even know your name |