| This morning I woke up to the sound of birds chirping
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| At some point later today
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| I’ll hear the kids from the school outside play
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| On the playground
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| Since 1994, I’ve been in the same apartment building
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| Living up on the third floor
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| If I spent my entire day never leaving the house
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| Those sounds would inspire me to write about my past and my future and my now
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| Yeah its an old elementary school
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| And I’ve been wondering what the kids from twenty to twenty-five years ago are
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| doing now
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| Yeah, from my living room I can see the school on Washington
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| And the San Francisco bay and Russian Hill and Golden Gate Bridge
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| And my home is maybe only eight or nine hundred square feet
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| I know it may not sound like much for a retirement plan but I’d be happy to
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| live here for the rest of my life
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| If I passed away to the sound of those kids playing on the playground
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| And this apartment’s so rich with memories of friends and lovers who have come
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| and gone
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| And beautiful music that’s been written and recorded here
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| And so many Christmas’s spent with my cat Pink
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| And with you, my dear
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| That would be as peaceful of a way to go as I can think of
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| My only hope is that I die before my girlfriend does
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| Because she’s so much stronger than me
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| Her beside me while I go is how I’d like it to be
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| Every day of my life an adventure
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| I was in the studio about a month ago with a few musicians over the winter
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| And had to take some guitars out of some soft cases in my apartment
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| Put the guitars that I wanted to take to the studio inside of them
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| To lighten my travel
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| One of the guitars that I took out of the cases was a 1930s Gibson L-48
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| Tobacco sunburst, arched top with f holes
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| I bought it at a garage sale when I was in the seventh grade
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| For sixty dollars
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| I never loved the sound of it and found it to be thin
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| But I remember working with a great engineer over twenty years ago
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| His name was Mark Needham
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| Who did lots of records with Chris Isaak
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| Who also recorded my album Songs for a Blue Guitar
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| He told me its only the f hole style guitars that leave a lot of room for vocals
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| So I took his advice at the time and opted for a cheaper version of the L-48
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| It had a fuller sound and it was painted blue
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| Anyhow yesterday after a five day trip filming the tour documentary
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| Down the coast of California seeing the grey whales surface along highway 1
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| between loan park and LA
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| My engineer and I flew back up to San Francisco from LA
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| To transfer the film and audio files and label what we filmed between Chico and
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| LA
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| We finished all that by 10:10 pm and I told Nathan
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| I want to record some guitar music for an hour before we finished that day
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| The closest guitar I could find was leaning behind my chair in the bedroom
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| It was a Gibson L-48
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| I have no memories of ever recording with that guitar before
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| But it did make the cover of «Songs for a Blue Guitar»
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| For the tortoise shell pick guard, completely disintegrated
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| I improvised to their guitar parts for an hour
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| And the guitar actually resonated nicely
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| Nathan and I agreed it had been a long day
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| But we would pick things up again after tomorrow after meeting for lunch at my
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| cafe
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| Tomorrow is right now and as I’m finishing writing these words before Nathan
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| shows up
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| I can still hear the birds and my ears are still slightly ringing from this
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| L-48 and there couldn’t be a more peaceful way to start a day of singing |