| She’s independent, she’s a modern woman
|
| She needs no prompting on her should and shouldn’t
|
| It’s always bosses, who wish that she wouldn’t
|
| Files in the cabinet, so neatly numerical
|
| Makes all the clients so neatly alphabetical
|
| (Turn of 21)
|
| She’s looking at the map
|
| (Looking at the map)
|
| Then looking at her watch
|
| (Looking at her watch)
|
| Bags on the rack
|
| (Bags on the rack)
|
| Seems like she’s there
|
| Seems like she’s there at the top
|
| Seems like she’s there at the top
|
| There for her service, comfy red Granada
|
| Up to the midlands with a taped Sinatra
|
| Plans all the hotels and the airplane charters
|
| Found under covers with some representative
|
| The deal is effected but still only tentative
|
| (Turn of 21)
|
| She’s looking at the map
|
| (Looking at the map)
|
| Then looking at her watch
|
| (Looking at her watch)
|
| Bags on the rack
|
| (Bags on the rack)
|
| Seems like she’s there
|
| Seems like she’s there at the top
|
| Seems like she’s there at the top
|
| Shorthands a letter heading on the paper
|
| Slim lines her lunch break will it ever make her?
|
| Slender and modern so all the men will take her
|
| Back to the mirror in the Empress Hotel
|
| Where the businessman smiles and the object to sell
|
| (Turn of 21)
|
| She’s looking at the map
|
| (Looking at the map)
|
| Then looking at her watch
|
| (Looking at her watch)
|
| Bags on the rack
|
| (Bags on the rack)
|
| Seems like she’s there
|
| Seems like she’s there at the top
|
| Seems like she’s there at the top
|
| There at the top, there at the top
|
| There at the top, there at the top
|
| There at the top, there at the top |