| This carvery is on the house
|
| Service is slow, and all the glasses are stained
|
| But carry on, it always comes
|
| (Sooner than you think)
|
| The steak is dry, the wine is weak
|
| This dialogue, is badly written
|
| And cheapened by the need
|
| For well cast female leads
|
| The camel crew In baby blue
|
| Parked in a van and all the lenses are stained
|
| Stay in your homes
|
| Home on the range
|
| And it’s a new day now
|
| Now 51
|
| Kick in his hands, hands on the reins
|
| And it’s a new day
|
| This avant garde is still the same
|
| Go to Goldsmiths and they dye their fringes
|
| Just to know they’ve made it only
|
| When they sign the rights to Sony
|
| Where the steps are swept
|
| And the lawn is neat
|
| The flowerbeds shame the neighbours
|
| Milo knew he’d made it when he
|
| Got his first mock Tudor semi
|
| The camel crew In baby blue
|
| Parked in a van and all the lenses are stained
|
| Stay in your homes
|
| Home on the range
|
| And it’s a new day now
|
| Now 51
|
| Kick in his hands, hands on the reins
|
| And it’s a new day
|
| You say it’s boring, but it’s not
|
| It’s only I forgot
|
| Call a number, make a change
|
| And in the morning when it’s hot
|
| You close your eyes and watch
|
| Call a number, make a change |