| Moon Sammy walks. |
| Across the floor. |
| Below the floor. |
| There is a wall
|
| Behind the wall. |
| There is a chair. |
| Moon Sammy knows. |
| The chair is there
|
| But that’s OK, that’s OK, you can do that--if you’re wound up, full of tension
|
| Incoherent. |
| Your mouth is buttered with lies; |
| you ask why, but you could
|
| Call it enigmatic; |
| all your thoughts about the chair are full of static
|
| Automatically your mind goes down the stairwell to the chair; |
| your body
|
| Says Moon Sammy, can you come back?
|
| Strum it
|
| Moon Sammy washes. |
| In the sink. |
| Below the sink. |
| There is a drain. |
| The drain
|
| Goes straight. |
| Into the sea. |
| The sink itself. |
| Is porcelain
|
| Obsess yourself with causality. |
| The information you hear is a loophole
|
| Technicality. |
| Behind every object is a mathematic; |
| an obscure substance
|
| Infused with a kinetic force, energy, an obscure conscience shoots a gun at
|
| The feet the world dances
|
| Babylon, mystery, mother of harlots, and all these abominations of the
|
| Earth, that sits on many waters, drunk with the blood of the martyrs of
|
| Jesus
|
| And I wondered with great admiration |