| Four on the floor with a halftime break
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| Eight bars then a turnaround
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| Hit the high hat like a low hat
|
| Open up a wall of sound
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| Heavy gauge and the nickel-wound sings
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| And the stellar magnetic rings
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| Chords for power and drag control found
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| All running when you hit the ground
|
| And the devil may care
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| And the devil may care
|
| When the devil makes his rounds
|
| And the devil may care
|
| And the devil may care
|
| When the devil comes around
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| Clean with the dirty tube breakup-style
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| Class-A discrete awakening
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| Dynamic rhythm and high gain beliefs
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| Daily Mardi Gras is just beginning
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| No artifacts just melody rings
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| Compression drivers pushing air
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| Phantom power and faders up
|
| Keeping time, keeping sane
|
| And the devil may care
|
| And the devil may care
|
| When the devil makes his rounds
|
| And the devil may care
|
| And the devil may care
|
| When the devil comes around
|
| Harmonic fidelity boost
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| High pass filter on a balanced line
|
| Or a cigarette on a headstock
|
| All the same, just make it rhyme
|
| And the devil may care
|
| And the devil may care
|
| When the devil makes his rounds
|
| And the devil may care
|
| And the devil may care
|
| When the devil comes around
|
| And the devil may care
|
| And the devil may care
|
| When the devil makes his rounds
|
| And the devil may care
|
| And the devil may care
|
| When the devil makes his rounds |