| I heard D’s from my pillow, right? | 
| Made me lean out my window, right? | 
| Knew the scene from the get go, right? | 
| But Spike Lee was my hero | 
| Say you here by any means | 
| Tell 'em ditto, uh | 
| But Spike Lee was my hero | 
| For the heroics, capes on to notice | 
| Waited for them to show it and traced all of the motives | 
| The motive beyond reason to pay us all in the open | 
| Like maybe all them below us is waiting for us to throw this | 
| If money talks in another kind of slang | 
| They hover by it again til you changing all that you’ve spoken | 
| Like «where the speech at?», tell em that you breathe that | 
| And shit is asthmatic the way they hang on the feed back | 
| Fuck em all until they know that you mean that | 
| And they’re ripping up your drivers side, digging thru your g-pack | 
| Talking Hamsterdam and they don’t believe that | 
| And hanging out my window helped me see that | 
| You know the scene, rubbing shoulders with the cast like I wrote the lead | 
| Shit I just wrote where we was at and put that over these | 
| Bad bitches want Isabel Marants | 
| And we all tryna give them what they want so you know the speed | 
| They said its rules to the shit | 
| Money that should be ours, the pursuance from the get | 
| I’m true indeed for a flip | 
| I’m due in need of a flip, but as true to me as it is | 
| I’m still, truly yours and truthfully for the win | 
| I’m still, doing more for you and me off the rip | 
| I’m built, by what I saw so usually what it is | 
| Is everything that it was, beautifully on the strip | 
| Standing underneath an awning and hoping to get a morning | 
| I swear they so belonging | 
| Of all of these wide bodies and whatever other callings | 
| Of all of these Nola Darlings | 
| The tug of wars on Strike Dunham and Dap Dunlap | 
| The Jesus Shuttlesworths and what it took to become that | 
| The phone booth can be where you change or where you pump at | 
| My heroes took turns wit who would run that | 
| So for all the Pierre Delacroixs, the Man Tans and Sleep-N-Eats | 
| And all the money from hand to hands that we can keep | 
| I live amongst the proud neighbors who bang louder than Al-Qaeda | 
| Moving them keys like Cal Tjader for the cheese like Sal’s Famous | 
| Fiends looking for houses where the rock’s probably cooking | 
| On the corners we BBQ on the block parties in Brooklyn | 
| The birthplace of Jordan, you wore them if you was hard enough | 
| Fucking with Nikes, why you think the Spike’s so popular? | 
| The block is like a prison with night vision they watching us | 
| On top of us with binoculars to properly get the drop on us | 
| I’m topical like Clockers cause crack kills | 
| They making a movie, but I’m making black films with my rap skills | 
| They standing on the corners looking vexed, looking stressed | 
| Having to stoop to new lows like Brooklyn steps | 
| First fight in Fort Greene, got respected in Brooklyn Tech | 
| Spike’s joint across the street, of course I was looking fresh | 
| Now I’m coming for what’s mine, the hoarders call it extortion | 
| 40 acres and a Porsche with more than 400 horses, yeah! | 
| One of the few who had his pops out the whole block | 
| Told me never to settle or let the dough stop | 
| Leave here with as much as you can hold Sky | 
| And point blank 'em if they ever come at yo' tie | 
| Made me follow every script that Spike ever wrote | 
| So how I write is cuz of them | 
| Rightfully so | 
| The irony of wanting everything I could be shown | 
| But seeing life like a Lee | 
| Rightfully so |