| I heard D’s from my pillow, right?
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| Made me lean out my window, right?
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| Knew the scene from the get go, right?
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| But Spike Lee was my hero
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| Say you here by any means
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| Tell 'em ditto, uh
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| But Spike Lee was my hero
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| For the heroics, capes on to notice
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| Waited for them to show it and traced all of the motives
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| The motive beyond reason to pay us all in the open
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| Like maybe all them below us is waiting for us to throw this
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| If money talks in another kind of slang
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| They hover by it again til you changing all that you’ve spoken
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| Like «where the speech at?», tell em that you breathe that
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| And shit is asthmatic the way they hang on the feed back
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| Fuck em all until they know that you mean that
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| And they’re ripping up your drivers side, digging thru your g-pack
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| Talking Hamsterdam and they don’t believe that
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| And hanging out my window helped me see that
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| You know the scene, rubbing shoulders with the cast like I wrote the lead
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| Shit I just wrote where we was at and put that over these
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| Bad bitches want Isabel Marants
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| And we all tryna give them what they want so you know the speed
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| They said its rules to the shit
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| Money that should be ours, the pursuance from the get
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| I’m true indeed for a flip
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| I’m due in need of a flip, but as true to me as it is
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| I’m still, truly yours and truthfully for the win
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| I’m still, doing more for you and me off the rip
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| I’m built, by what I saw so usually what it is
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| Is everything that it was, beautifully on the strip
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| Standing underneath an awning and hoping to get a morning
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| I swear they so belonging
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| Of all of these wide bodies and whatever other callings
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| Of all of these Nola Darlings
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| The tug of wars on Strike Dunham and Dap Dunlap
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| The Jesus Shuttlesworths and what it took to become that
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| The phone booth can be where you change or where you pump at
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| My heroes took turns wit who would run that
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| So for all the Pierre Delacroixs, the Man Tans and Sleep-N-Eats
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| And all the money from hand to hands that we can keep
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| I live amongst the proud neighbors who bang louder than Al-Qaeda
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| Moving them keys like Cal Tjader for the cheese like Sal’s Famous
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| Fiends looking for houses where the rock’s probably cooking
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| On the corners we BBQ on the block parties in Brooklyn
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| The birthplace of Jordan, you wore them if you was hard enough
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| Fucking with Nikes, why you think the Spike’s so popular?
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| The block is like a prison with night vision they watching us
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| On top of us with binoculars to properly get the drop on us
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| I’m topical like Clockers cause crack kills
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| They making a movie, but I’m making black films with my rap skills
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| They standing on the corners looking vexed, looking stressed
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| Having to stoop to new lows like Brooklyn steps
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| First fight in Fort Greene, got respected in Brooklyn Tech
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| Spike’s joint across the street, of course I was looking fresh
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| Now I’m coming for what’s mine, the hoarders call it extortion
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| 40 acres and a Porsche with more than 400 horses, yeah!
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| One of the few who had his pops out the whole block
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| Told me never to settle or let the dough stop
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| Leave here with as much as you can hold Sky
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| And point blank 'em if they ever come at yo' tie
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| Made me follow every script that Spike ever wrote
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| So how I write is cuz of them
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| Rightfully so
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| The irony of wanting everything I could be shown
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| But seeing life like a Lee
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| Rightfully so |