| Figured I’ll rap a lil bit
|
| Figured I’mma rap a lil bit
|
| But I don’t really know how I’mma set it off, lemme see
|
| I guess how I set it off will determine how to finish em
|
| Finishin this is fine, the finish line is the scrimmage
|
| Scrimmagin the design, designin is by the witness
|
| Witnessin from the side, as I’m driftin by the endin
|
| Endin another stanza by beginning to explain it
|
| Explainin an explanation and waitin while you arrange it
|
| Arrangin it around and I’m astound from where you place it
|
| Complacement was out of place, just try to keep it adjacent
|
| To the couplet, tercet, quatrain, cinquain, sextet, septet, octave and implain
|
| Labeled at the two to eight, eight’ll get you through the day
|
| Double that and you could cut up that and cut the move away
|
| Away from where they wave at, I looked down, waved back
|
| Waving gets impatient, you picking wrong I waved that
|
| That would be the obvious, obviously I should just
|
| Stick with this and see what the oblivious is tryin to catch
|
| Catch it if you up for it, the catchin is the jump for it
|
| The catch is if you catch it you catchin whatever come with it
|
| With it for the wittiest, winnin off of winninness
|
| Lose the whereabouts of the with like I through the wind in it
|
| In it for the incline, included to intwine
|
| Inclination of any innovation within mine
|
| Mine like I moulded it one rib sculpted it
|
| Shook em off of syllables, I ain’t have to motive it, huh
|
| Throwin out frisbees, show me you can catch it
|
| Show me you can catch it, show me you can catch it, catch it (x3)
|
| Show me that you caught that, show me that you caught that
|
| Show me that you caught that, and I could throw some more back
|
| More like you ain’t had enough, enough of the aver-rush
|
| The rush of the rage is the rage that was added up
|
| Upper echelon, sketch a song, stretch the batter up
|
| Call a beat the lactose, pray and keep me padded up
|
| Over all of the under regardless of what come after it
|
| Keep the second half of it if under is attached to it
|
| Attachin me to the back of leaders is all blasphemous
|
| Front runner, one number, one of one maximum
|
| Maxin out, more is now, rightfully the talk is out
|
| Hype for me excitedly, swipin like if door arounds
|
| Swipa, no-swipa, no bitin, no knawin now
|
| Now or never, I’m around whatever if the call is out
|
| Out of what’s considered to be considered considerable
|
| I couldn’t find a reason to leave up outta the lyrical
|
| Fuck all of the fuckery, motherfuckers luckily ain’t see me with a cosign
|
| I get one of you-clothesline
|
| Pardon how I pardoned it, but don’t pardon the part in it
|
| That pointed out the parts that I’m apart from where you parted it
|
| Got it through the loop like I’m dippin around the heart of this
|
| Skippin over the five
|
| Dialin over the narc’s mit, seein is believin if you believin what you seein
|
| So you vision it when you was sittin in between the speakers
|
| Speakin like I moulded it, one rib scopeded it
|
| Shook em off of syllables, I ain’t have to motive it
|
| Throwin out frisbees, show me you can catch it
|
| Show me you can catch it, show me you can catch it, catch it (x3)
|
| Show me that you caught that, show me that you caught that
|
| Show me that you caught that, and I could throw some more back
|
| Throwin out frisbees, show me you can catch it
|
| Show me you can catch it, show me you can catch it, catch it (x3)
|
| Show me that you caught that, show me that you caught that
|
| Show me that you caught that, and I could throw some more back
|
| Another! |
| llmind production… |