| Figured I’ll rap a lil bit | 
| Figured I’mma rap a lil bit | 
| But I don’t really know how I’mma set it off, lemme see | 
| I guess how I set it off will determine how to finish em | 
| Finishin this is fine, the finish line is the scrimmage | 
| Scrimmagin the design, designin is by the witness | 
| Witnessin from the side, as I’m driftin by the endin | 
| Endin another stanza by beginning to explain it | 
| Explainin an explanation and waitin while you arrange it | 
| Arrangin it around and I’m astound from where you place it | 
| Complacement was out of place, just try to keep it adjacent | 
| To the couplet, tercet, quatrain, cinquain, sextet, septet, octave and implain | 
| Labeled at the two to eight, eight’ll get you through the day | 
| Double that and you could cut up that and cut the move away | 
| Away from where they wave at, I looked down, waved back | 
| Waving gets impatient, you picking wrong I waved that | 
| That would be the obvious, obviously I should just | 
| Stick with this and see what the oblivious is tryin to catch | 
| Catch it if you up for it, the catchin is the jump for it | 
| The catch is if you catch it you catchin whatever come with it | 
| With it for the wittiest, winnin off of winninness | 
| Lose the whereabouts of the with like I through the wind in it | 
| In it for the incline, included to intwine | 
| Inclination of any innovation within mine | 
| Mine like I moulded it one rib sculpted it | 
| Shook em off of syllables, I ain’t have to motive it, huh | 
| Throwin out frisbees, show me you can catch it | 
| Show me you can catch it, show me you can catch it, catch it (x3) | 
| Show me that you caught that, show me that you caught that | 
| Show me that you caught that, and I could throw some more back | 
| More like you ain’t had enough, enough of the aver-rush | 
| The rush of the rage is the rage that was added up | 
| Upper echelon, sketch a song, stretch the batter up | 
| Call a beat the lactose, pray and keep me padded up | 
| Over all of the under regardless of what come after it | 
| Keep the second half of it if under is attached to it | 
| Attachin me to the back of leaders is all blasphemous | 
| Front runner, one number, one of one maximum | 
| Maxin out, more is now, rightfully the talk is out | 
| Hype for me excitedly, swipin like if door arounds | 
| Swipa, no-swipa, no bitin, no knawin now | 
| Now or never, I’m around whatever if the call is out | 
| Out of what’s considered to be considered considerable | 
| I couldn’t find a reason to leave up outta the lyrical | 
| Fuck all of the fuckery, motherfuckers luckily ain’t see me with a cosign | 
| I get one of you-clothesline | 
| Pardon how I pardoned it, but don’t pardon the part in it | 
| That pointed out the parts that I’m apart from where you parted it | 
| Got it through the loop like I’m dippin around the heart of this | 
| Skippin over the five | 
| Dialin over the narc’s mit, seein is believin if you believin what you seein | 
| So you vision it when you was sittin in between the speakers | 
| Speakin like I moulded it, one rib scopeded it | 
| Shook em off of syllables, I ain’t have to motive it | 
| Throwin out frisbees, show me you can catch it | 
| Show me you can catch it, show me you can catch it, catch it (x3) | 
| Show me that you caught that, show me that you caught that | 
| Show me that you caught that, and I could throw some more back | 
| Throwin out frisbees, show me you can catch it | 
| Show me you can catch it, show me you can catch it, catch it (x3) | 
| Show me that you caught that, show me that you caught that | 
| Show me that you caught that, and I could throw some more back | 
| Another! | 
| llmind production… |