| Here is the face plumber
|
| Bearing improvised food
|
| To the space on the landing
|
| That is so rarely used
|
| Here’s the loop grinder
|
| Making marginal news
|
| Gonna stand on the corner
|
| Singing reprobate blues
|
| With a charm to disarm and a passion for harm
|
| In so many ways, so many ways
|
| A façade of calm can but raise the alarm
|
| At the end of days, the end of days
|
| Here’s a chronic intruder
|
| Crossing Chemical Park
|
| Through a break in a long chain
|
| And the darkest of sparks
|
| She will dress for success she will welcome excess
|
| In so many ways, so many ways
|
| A deadly caress, nothing more nothing less
|
| At the end of days. |
| the end of days
|
| Hey ho, Recessive Jean
|
| Take the money and keep it clean
|
| Put your hand on the Bible and the book is cold
|
| Don’t be so bold, Recessive Jean
|
| Hey ho, Recessive Jean
|
| Bite the bullet and make a scene
|
| Put your head in the oven and turn it on
|
| You’ll soon be gone. |
| Recessive Jean
|
| She will twist and resist and return to insist
|
| In so many ways, so many ways
|
| She’s keeping a list of those she will kiss
|
| At the end of days. |
| the end of days
|
| Hey ho, Recessive Jean
|
| Take the money and keep it clean
|
| Put your hand on the Bible and the book is cold
|
| Don’t be so bold, Recessive Jean
|
| Hey ho, Recessive Jean
|
| Bite the bullet and make a scene
|
| Put your head in the oven and turn it on
|
| You’ll soon be gone, Recessive Jean |