| 1941, Japanese soldier, engaging in battle, perfect composure
|
| Clandestine overnight operation, the final destination, Pearl Harbor!
|
| Flying through the night, high visibility the sky is clear, everything in sight
|
| Can you hear the turbulence? |
| Can you feel my heartbeat?
|
| I’m a lone pilot, equipped with the Zero, in my motherland they honor me as a
|
| hero
|
| But I still got my mother’s picture in a locket, 'cause there’s nobody else up
|
| in the cockpit
|
| I glance at the panel and the readings are normal, check the radar,
|
| radio detection and ranging
|
| My section is changing, the crew is coming kamikaze, direct translation,
|
| divine intervention
|
| My squadron comprises an aerial torpedo, I’ve been taught I’m attacking for
|
| Emperor Hirohito
|
| I was raised 22 years so I could serve my one and only country, the empirical
|
| army
|
| We flew down from the west side of the mountains, the harbor below containing
|
| the target fleet
|
| Arizona, Oklahoma, Maryland and California, total devastation burned onto my
|
| cornea
|
| I’m dropping bombs on American soil, my blood is getting so heated it’s ready
|
| to boil
|
| And evaporate like the history behind us, to remind us not to forfeit the
|
| memories
|
| And yes, I do remember the 7th day of December, being patriotic in an idiotic
|
| war
|
| Now what the hell was I fighting for?!
|
| The mic is so hot, I turn coal into diamonds and pearls
|
| I harbor no pain but the flow still remains
|
| I can’t fight the blood in my veins
|
| 1998, Japanese MC engaging in battle, perfect composure
|
| Forget the path of overnight sensation, the final destination, world conquer
|
| Rhyming through the night, high lyrical ability, trailblazing clearing
|
| everything in sight
|
| Can you hear the bass? |
| Can feel the drums?
|
| I’m a lone artist building up from zero, with my other hand trying to grab that
|
| dinero
|
| I grab the microphone so that I could rock it, battle drills taught me that I
|
| got shit in my cockpit
|
| We throw it down on the west side of the nations, The U. S and Japan now
|
| bringing you the beat
|
| I was on a mission to come to California, rip the mic while other MCs turn
|
| cornier
|
| I don’t need a commercial-ass singe, double-platinum, triple-six shit,
|
| quadruple vinyl to say this much
|
| That I’m the freshest MC ever to touch the mic in this bilingual manner with my
|
| own banner
|
| I just do what I do and do well what I do, that’s why I move and I dwell with
|
| my crew
|
| The name is Empire22 and don’t forget it, I’m concise when I slice so there’s
|
| no need for an edit
|
| I think globally and rap locally, the freak Asian breaking down the equation,
|
| E=MC squared?
|
| Nah, me equal MCs scared because I explode atomically
|
| MC’s break down comically get dropped automatically
|
| The force connecting the pacific is called hiphop
|
| One nation indivisible in an invisible war, now what the fuck are you fighting
|
| for?!
|
| The mic is so hot, I turn coal into diamonds and pearls
|
| I harbor no pain but the flow still remains
|
| I can’t fight the blood in my veins
|
| 2008, ain’t a damn thang changed
|
| War lives in the quarters of the morally insane
|
| Collaborate with me, corroborate my documentary
|
| The government loves to creata an enemy
|
| May of 2001 the Hollywood Pearl Harbor opened in the theaters and four months
|
| later
|
| When the shit hit the fan, lo and behold Afghanistan, then Iraq and now Iran
|
| See the phantom menace splashed in the front pages
|
| Economics reign behind the facade of politics
|
| Even in the grim face of defeat, civilians take the streets, all screaming peace
|
| Damned if you do, but even more if you don’t
|
| It’s a catch22 and if you know then you won’t
|
| Stand in a line so you can wait for residuals
|
| Why live and work for calllous individuals?
|
| Us immigrants the usual suspects, scapegoats trapped in the aspect ratio
|
| The pundits stirring up an interracial drama for a showdown, slow down
|
| Take a look around, don’t lose your head, first check both sides of the coin
|
| 'Cause it’s the dark tides of prejudice that keep on edge but my comrades keep
|
| me on point
|
| And you say what’s the cause I say just because
|
| I can’t afford to pause or the skies will fall
|
| In another ten years, when we look back
|
| Ask what in the world were we fighting for
|
| The mic is so hot, I turn coal into diamonds and pearls
|
| I harbor no pain but the flow still remains
|
| I can’t fight the blood in my veins |