| Rub-a-dub injection for them
|
| She say
|
| If only you know me
|
| Woman you’re looking lonely
|
| ive me your name and number number, is it Ruta or it Naomi
|
| You no know me, can’t blow me
|
| Stop talking baloney
|
| Try to control me but you know you couldn’t hold me
|
| Respect you need to show me when deh ya my man’s my homie
|
| Inject you like a cassette to Dicay or it’s a Sony
|
| Woman a camouflage at nothing but the fucking phoney
|
| Fat or an bony, look like macaroni
|
| Saddle up gal the hula-hula, ride mi pony
|
| AH-E-A-OH, AH
|
| Reach inna your body, things a run red
|
| Sylva deh ya now me and mi text draw on a dread
|
| Give me the 45 now bust, knock out, no bust no lead
|
| Lyrical entertainment what me give them instead
|
| Sylva, Mr. Shaggy up inna the call friends
|
| Sting and Robert for production again
|
| With no rub-ub, with no skin out we naw beg no friend
|
| This one we bill out fi the gal pickney them
|
| Look how the gal them a bubble and wine
|
| Pump up a swing out pon the front line
|
| She wine, she ram, she do the pump and everything combine
|
| The blister of the shake on them the splitted be a slime
|
| Sting a lead them in the rhythm
|
| While the Sylva arrive
|
| This are Shaggy and Sylva
|
| Lyrically combine
|
| Flatbush combination
|
| Wicked and vile
|
| This time we’re thin for foreign kin so watch with profile
|
| We’re wicked and wicked and wicked and wicked and wicked and wicked and wild
|
| Gal start fi move and the man them say aah
|
| Rub-a-dub-a fling like the massive say hey
|
| Hand inna the air and everybody shout hee
|
| Gal a dotty gal and then the man them say hoo
|
| If only you know me
|
| Woman you’re looking lonely
|
| Give me your name and number, is it Ruta or it’s Naomi
|
| You no know me, can’t blow me
|
| Stop talking baloney
|
| Try to control me but you know you couldn’t hold me
|
| Respect you need to show me when deh ya my man’s my homie
|
| Inject you like a cassete to Dicay or it’s a Sony
|
| Woman a camouflage at nothing but the fucking phoney
|
| Fat or an bony, muddle like macaroni
|
| Sit down pon the hm-hm, saddle up, ride mi pony
|
| Reach inna your body, things a run red
|
| Sylva deh ya now me and mi text draw on a dread
|
| Give me the 45 now bust, knock out, no bust no lead
|
| Lyrical entertainment me go give them instead
|
| Sylva and Shaggy up inna the call friends
|
| Sting and Robert for production again
|
| With no rub-ub, with no skin out we naw beg no friend
|
| This one we bill out fi the gal pickney them
|
| Sing
|
| Aaah, hm
|
| Look how the gal them a bubble and wine
|
| Pump up a swing out pon the front line
|
| She wine and ram, she do the pump and everything combine
|
| The blister of the shake on them the splitted be a slime
|
| Sting a lead them in the rhythm
|
| While the Sylva arrive
|
| This are Shags man and Sylva
|
| Lyrically combine
|
| The Flatbush combination
|
| Wicked and vile
|
| This time we’re thin for foreign kin so watch with profile
|
| So we’re wicked and wicked and wicked and wicked and wicked and wicked and vile
|
| What sing
|
| AH-E-A-OH (What)
|
| AH-E-A-OH (What)
|
| AH-E-A-OH (Respect to the maximum)
|
| AH-E-A-OH (Sting International upfronts)
|
| AH-E-A-OH (Robert, respect do all the time)
|
| AH-E-A-OH (Respect to Bajja Jedd, Red Fox)
|
| AH-E-A-OH (Nikey Fungus, Screechy Dan)
|
| AH-E-A-OH (Respect to the man a them call name Lapoo)
|
| AH-E-A-OH (I reach it out proof) |