| They said you went down to the Grove looking to score
|
| (Oh, what a bore)
|
| «It was a really heavy scene down there»
|
| I’ve heard that before
|
| And then you, you bought one gram of icing sugar
|
| Well, I guess that’s «sweet as»
|
| Oh, you — yeah, you are such a street operator
|
| You know just where you’re coming from — oh yeah
|
| And you have really got it together
|
| And nobody can put you on
|
| And you get it right, oh, every single night
|
| So how come you’re alone?
|
| Yeah, how come you’re alone?
|
| You went to the South Bank for the Salsa just last night
|
| (Oh, outtasight!)
|
| Got short-changed by the barmaid
|
| But you daren’t, you daren’t put her right
|
| But you really took it out on her later
|
| On your own in the middle of the night
|
| Oh, you — oh you are such a street operator
|
| You know just where you’re coming from — oh yeah
|
| Yeah, you have really got it together
|
| And nobody can put you on
|
| And you get it right, oh, every single night
|
| So how come you’re alone?
|
| Yeah, how come you’re alone?
|
| Why don’t you just face it?
|
| You can no longer fake it
|
| Why don’t you just go?
|
| Oh, you — oh you are such a street operator
|
| You know just where you’re coming from — oh yeah
|
| And you have really got it together
|
| And nobody can put you on
|
| And you get it right, oh, every single night
|
| So how come you’re alone?
|
| Yeah, how come you’re alone?
|
| How come you’re alone?
|
| Yeah, how come you’re alone? |