| Every phone call, every single wasted breath
|
| Is always taken down
|
| There’s at least a single paragraph a day
|
| On numbers you left out
|
| Single out a camera to focus on
|
| Burn another bridge with your smile
|
| It’s a made up conversation
|
| It’s supposed to take you a while
|
| There is a message from the company
|
| On your way to the park
|
| There is an agent who will greet you
|
| Hand off the plates and go dark
|
| There is the danger of complicity (Stay on target)
|
| All they need is a spark (Stay on point)
|
| If they can see through your duplicity (Keep to the mission)
|
| Check if your wine glass is marked (Stay in the moment)
|
| One false turn and it all starts again
|
| In a villa on the outskirts of Taormina
|
| They’re staking your room out
|
| On a rogue tip off a busker in Vienna
|
| Who rolled you once down south
|
| Churchill even painted a burro there, yeah
|
| Really isn’t part of your style
|
| Is this a made up confrontation
|
| Are you keeping us in denial
|
| You dropped your boarding pass for Tuscany
|
| Your train is prepped to embark
|
| There is a separate continuity
|
| The poisoned watermark
|
| There is a message from the company (Stay on target)
|
| On your way to the park (Stay on point)
|
| There is an agent who will greet you (Keep to the mission)
|
| Hand off the plates and go dark (Stay in the moment)
|
| There is the danger of complicity (Stay on target)
|
| All they need is a spark (Stay on point)
|
| If they can see through your duplicity (Keep to the mission)
|
| Check if your wine glass is marked (Stay in the moment)
|
| One false turn and it all starts over again |