| I’ll grab and the mic and now I damage you, cut your whole stamina
|
| Here comes the medical examiner
|
| One verse then you’re out for the count
|
| (Bring the ammonia) make sure he sniffs the right amount
|
| Wake him up and then I ask him
|
| Why did he intend this --
|
| competition to get an ass kickin so tremendous
|
| Boy you shouldn’t bother this
|
| Leave me alone like the (son said G or he’ll be fatherless!)
|
| I got the asiatic flow mixed with disco
|
| Roll up on the scene like the Count of Monte Crisco
|
| and MC’s start to vanish
|
| (I stepped up to a jet black kid, started speakin spanish!
|
| Yo he wasn’t from Panama
|
| I asked him how he get so dark, the nigga said suntama!
|
| He responded so fast, you made me laugh)
|
| Ha-ha-ha, HARARRRH (then I scared-his ass!)
|
| (Kick the hundred strongest rhymes
|
| I brought out the punk in him
|
| Caught him with a strong five deadly venom
|
| Told him enter the Wu-Tang
|
| Witness the Shaolin slang, that’ll crush the shit you bring)
|
| I watch your ass take a big fall, why?!
|
| My Main Source, is like a friendly game of stickball
|
| And as you step up to bat man (I play the riddler)
|
| You try to do me for a rhyme (then I’ll change to Hitler)
|
| Go out like Nazi; |
| you’ll be wishin your fuckin ass
|
| stayed home and played (Yahtzee!)
|
| Or watchin Happy Days sweatin (Poxie)
|
| with Ralphie and Richie Cunningham, Joni and (Chachi)
|
| Wu, who? |
| Me gettin wreck so I’m through
|
| Like a ten and a half foot, gettin in a seven (shoe)
|
| (Now picture THAT with a Minolta)
|
| Have your ass doin some Night Fever shit like John Travolta
|
| I come strong I make knowledge born, I flip the script
|
| and rock on from P.M. |
| (past the fucking Dawn)
|
| Pass the Hammer you’re broke down, niggaz grab my what what
|
| Can’t understand it here’s the panaroma
|
| (A complete view of how I defeat you)
|
| Should of stepped to those fuckin kids who tried to (beat you)
|
| Yeah I bust that ass before
|
| (You ran to Texas and came back but forgot the chainsaw!)
|
| And want to perform a massacre
|
| Better be coming with some motherfucking shit that’s spectacular
|
| Crush the person who did em, well you just better
|
| So I’m stepping to your (raggedy ass jetta)
|
| Put the pedal to the metal
|
| You and your DJ change your name to Ma and Pa Kettle
|
| as I (pass the bone, kicks your every measure)
|
| It’s not a Newport but it’s still live with pleasure
|
| (C'mon don’t be silly, just a bag of sensimilli
|
| Rolled up in a) Motown Philly
|
| (I used to write all the time when I smoked
|
| Grab the mic, then I kinda like went for broke
|
| With visually concepts strongest rhymes and biceps
|
| Lyrically speakin, three to four rhymes then choke
|
| Some think they be harmin this, claimin they be bombin this)
|
| But they still remains a-nom-ynous
|
| I pull strings like Jimi Hendrix
|
| Ride more beats that go backs to the days of Eddie Kendricks
|
| I teach the truth to the youth, I say (hey youth)
|
| Here’s the truth, better start wearing (bullet proof)
|
| Arm yourself with a shield
|
| (Before you get trapped up) just like the Children in the Cornfield |