| ANDRE:
|
| Ludicrous!
|
| Have you seen the score?
|
| FIRMIN:
|
| Simply ludicrous!
|
| ANDRE:
|
| It’s the final straw!
|
| FIRMIN:
|
| This is lunacy!
|
| Well, you know my views
|
| ANDRE:
|
| …Utter lunacy!
|
| FIRMIN:
|
| But we daren’t refuse …
|
| ANDRE:
|
| Not another
|
| chandelier
|
| FIRMIN:
|
| …Look, my friend, what
|
| we have here …
|
| ANDRE:
|
| «Dear Andre,
|
| Re my orchestrations:
|
| We need another first bassoon.
|
| Get a player with tone —
|
| and that third trombone
|
| has to go!
|
| The man could not be deafer,
|
| so please preferably one
|
| who plays in tune!»
|
| FIRMIN:
|
| «Dear Firmin,
|
| vis a vis my opera:
|
| some chorus-members must be sacked.
|
| If you could, find out which
|
| has a sense of pitch —
|
| wisely, though,
|
| I’ve managed to assign a rather minor role to those
|
| who cannot act!»
|
| CARLOTTA:
|
| Outrage!
|
| FIRMIN:
|
| What is it now?
|
| CARLOTTA:
|
| This whole affair is an outrage!
|
| ANDRE:
|
| Now what’s the matter?
|
| CARLOTTA:
|
| Have you seen
|
| the size of my part?
|
| ANDRE:
|
| Signora, listen …
|
| PIANGI:
|
| It’s an insult!
|
| FIRMIN:
|
| Not you as well!
|
| PIANGI:
|
| Just look at this —
|
| it’s an insult!
|
| FIRMIN:
|
| Please, understand …
|
| ANDRE:
|
| Signor! |
| Signora!
|
| CARLOTTA:
|
| The things I have
|
| to do for my art!
|
| PIANGI:
|
| If you can call
|
| this gibberish «art» !
|
| CARLOTTA:
|
| Ah! |
| Here’s our little flower!
|
| FIRMIN:
|
| Ah Miss Daae,
|
| quite the lady
|
| of the hour!
|
| ANDRE:
|
| You have
|
| secured the largest role
|
| in this «Don Juan».
|
| CARLOTTA:
|
| Christine Daae?
|
| She doesn’t have
|
| the voice!
|
| FIRMIN:
|
| Signora, please!
|
| RAOUL:
|
| Then I take it you’re agreeing.
|
| CARLOTTA:
|
| She’s behind this …
|
| ANDRE:
|
| It appears we have
|
| no choice.
|
| CARLOTTA:
|
| She’s the one
|
| behind this!
|
| Christine Daae!
|
| CHRISTINE:
|
| How dare you!
|
| CARLOTTA:
|
| I’m not a fool!
|
| CHRISTINE:
|
| You evil woman!
|
| How dare you!
|
| CARLOTTA:
|
| You think I’m blind?
|
| CHRISTINE:
|
| This isn’t my fault!
|
| I don’t want any
|
| part in this plot!
|
| FIRMIN:
|
| Miss Daae, surely …
|
| ANDRE:
|
| But why not?
|
| PIANGI:
|
| What does she say?
|
| FIRMIN:
|
| It’s your decision
|
| But why not?
|
| CARLOTTA:
|
| She’s backing out!
|
| ANDRE:
|
| You have a duty!
|
| CHRISTINE:
|
| I cannot sing it,
|
| duty or not!
|
| RAOUL:
|
| Christine …
|
| Christine …
|
| You don’t have to …
|
| they can’t make you …
|
| GIRY:
|
| Please, monsieur:
|
| another note.
|
| «Fondest greetings
|
| to you all !
|
| A few instructions
|
| just before
|
| rehearsal starts:
|
| ERIK:
|
| Carlotta must be taught to act … ,"
|
| … not her normal trick
|
| of strutting round the stage.
|
| Our Don Juan must
|
| lose some weight —
|
| it’s not healthy in a man of Piangi’s age.
|
| And my managers
|
| must learn
|
| that their place is in an office, not the arts.
|
| As for Miss Christine Daae …
|
| No doubt she’ll
|
| do her best — it’s
|
| true her voice is good. |
| She knows, though,
|
| should she wish to excel
|
| she has much still
|
| to learn, if pride will
|
| let her
|
| return to me, her
|
| teacher,
|
| her teacher …
|
| GIRY:
|
| Your obedient friend …
|
| «…and Angel …»
|
| RAOUL:
|
| We have all been
|
| blind — and yet the
|
| answer is staring us in the face …
|
| This could be the
|
| chance to ensnare our
|
| clever friend …
|
| ANDRE:
|
| We’re listening
|
| FIRMIN:
|
| …Go on.
|
| RAOUL:
|
| We shall play his
|
| game — perform his
|
| work — but remember we hold the ace …
|
| For, if Miss Daae
|
| sings, he is certain
|
| to attend …
|
| ANDRE:
|
| We make certain
|
| the doors are barred …
|
| FIRMIN:
|
| We make certain
|
| our men are there …
|
| RAOUL:
|
| We make certain
|
| they’re armed …
|
| ANDRE/FIRMIN/RAOUL:
|
| The curtain falls.
|
| His reign will end!
|
| GIRY:
|
| Madness!
|
| ANDRE:
|
| I’m not so sure …
|
| FIRMIN:
|
| Not if it works …
|
| GIRY:
|
| This is madness!
|
| ANDRE:
|
| The tide will turn!
|
| GIRY:
|
| Monsieur, believe me —
|
| there is no way of turning the tide!
|
| FIRMIN:
|
| You stick to ballet!
|
| RAOUL:
|
| Then help us!
|
| GIRY:
|
| Monsieur, I can’t …
|
| RAOUL:
|
| Instead of warning us …
|
| RAOUL/ANDRE/FIRMIN:
|
| Help us!
|
| GIRY:
|
| I wish I could …
|
| RAOUL/ANDRE/FIRMIN:
|
| Don’t make excuses!
|
| RAOUL:
|
| Or could it be that
|
| you’re on his side?
|
| GIRY:
|
| Monsieur, believe me,
|
| I intend no ill …
|
| But messieurs, be careful —
|
| we have seen him kill …
|
| ANDRE/FIRMIN:
|
| We say he’ll fall
|
| and fall he will!
|
| CARLOTTA:
|
| She’s the one behind this!
|
| Christine!
|
| This is a ploy to help,
|
| Christine!
|
| PIANGI:
|
| This is the truth!
|
| Christine Daae!
|
| RAOUL:
|
| This is his undoing!
|
| ANDRE/FIRMIN:
|
| If you succeed
|
| you free us all —
|
| this so called «angel»
|
| has to fall!
|
| RAOUL:
|
| Angel of music,
|
| fear my fury —
|
| Here is where you fall!
|
| GIRY:
|
| Hear my warning! |
| Fear his fury!
|
| CARLOTTA:
|
| What glory can
|
| she hope to gain?
|
| It’s clear to all
|
| the girl’s insane!
|
| ANDRE:
|
| Christine sings
|
| We’ll get our man …
|
| PIANGI:
|
| She is crazy!
|
| She is raving!
|
| FIRMIN:
|
| If Christine helps
|
| us in this plan …
|
| RAOUL:
|
| Say your prayers,
|
| black angel of death!
|
| CHRISTINE:
|
| Please don’t
|
| ANDRE:
|
| …If Christine won’t,
|
| then no-one can …
|
| GIRY:
|
| Monsieur, I beg you,
|
| do not do this …
|
| PIANGI/CARLOTTA:
|
| Gran Dio!
|
| Che imbroglio
|
| ANDRE/FIRMIN:
|
| This will seal his fate!
|
| CHRISTINE:
|
| If you don’t stop,
|
| I’ll go mad!
|
| Raoul, I’m frightened —
|
| don’t make me do this …
|
| Raoul, it scares me —
|
| don’t put me through this
|
| ordeal by fire …
|
| he’ll take me, I know …
|
| we’ll be parted for ever …
|
| he won’t let me go …
|
| What I once used to dream
|
| I now dread …
|
| if he finds me, it won’t
|
| ever end …
|
| and he’ll always be there,
|
| singing songs in my head …
|
| he’ll always be there,
|
| singing songs in my head …
|
| CARLOTTA:
|
| She’s mad …
|
| RAOUL:
|
| You said yourself
|
| he was nothing
|
| but a man …
|
| Yet while he lives,
|
| he will haunt us till we’re dead …
|
| CHRISTINE:
|
| Twisted every way,
|
| what answer can I give?
|
| Am I to risk my life,
|
| to win the chance to live?
|
| Can I betray the man
|
| who once inspired my voice?
|
| Do I become his prey?
|
| Do I have any choice?
|
| He kills without a thought,
|
| he murders all that’s good. |
| ..
|
| I know I can’t refuse
|
| and yet, I wish I could. |
| ..
|
| Oh God — if I agree,
|
| what horrors wait for me in this, the Phantom’s opera. |
| . |
| .?
|
| RAOUL:
|
| Christine, Christine,
|
| don’t think that I don’t care —
|
| but every hope
|
| and every prayer
|
| rests on you now. |
| ..
|
| RAOUL:
|
| So, it is to be war between us! |
| But this time, clever
|
| friend, the disaster will be yours!
|
| CHORUS:
|
| Hide our sword now wounded knight!
|
| Your vainglorious gasconnade
|
| brought you to your final fight
|
| for your pride, high price you’ve paid!
|
| CHRISTINE:
|
| Silken couch and hay-filled barn
|
| both have been his battlefield.
|
| PIANGI:
|
| Those who tangle with Don Juan. |
| ..
|
| REYER:
|
| No, no, no! |
| Please.
|
| Don Juan, Signor Piangi — here is the phrase. |
| «Those who tangle with Don Juan.
|
| If you please?
|
| PIANGI:
|
| Those who tangle with Don Juan. |
| ..
|
| REYER:
|
| No, no. |
| Nearly — but no.
|
| «Those who tan, tan, tan. |
| . |
| .»
|
| PIANGI:
|
| Those who tangle with Don Juan. |
| ..
|
| CARLOTTA:
|
| His way is better. |
| At least he make it sound like
|
| music!
|
| GIRY:
|
| Signora — would you speak that way in the
|
| presence of the composer?
|
| CARLOTTA:
|
| The composer is not here. |
| And if he were here, I would. |
| ..
|
| GIRY:
|
| Are you certain of that, Signora. |
| . |
| .?
|
| REYER:
|
| So, once again — after seven.
|
| Five, six, seven. |
| ..
|
| PIANGI:
|
| Those who tangle with Don Juan. |
| ..
|
| CARLOTTA:
|
| Ah, piu non posso! |
| What does it matter what notes
|
| we sing?
|
| GIRY:
|
| Have patience, Signora.
|
| CARLOTTA:
|
| No-one will know if it is right or if it is wrong.
|
| CARLOTTA:
|
| Those who tangle
|
| with Don Juan!
|
| PIANGI:
|
| Those who tan. |
| .. tan. |
| ..
|
| Is right?
|
| CHRISTINE:
|
| Not quite, Signor:
|
| Those who tan. |
| .. tan. |
| ..
|
| REYER:
|
| Ladies. |
| .. Signor Piangi. |
| .. if you please. |
| ..
|
| ALL EXCEPT CHRISTINE:
|
| Poor young maiden! |
| For the thrill
|
| on your tongue of stolen sweets
|
| you will have to pay the bill —
|
| tangled in the winding sheets!
|
| CHRISTINE:
|
| In sleep
|
| he sang to me,
|
| in dreams
|
| he came. |
| ..
|
| that voice
|
| which calls to me and speaks
|
| my name. |
| ..
|
| Little Lotte
|
| thought of everything and nothing. |
| ..
|
| Her Father promised her
|
| that he would send her the Angel of Music. |
| ..
|
| Her father promised her. |
| ..
|
| Her father promised her |