Song information On this page you can read the lyrics of the song Untitled , by - Nas. Song from the album Nas, in the genre Иностранный рэп и хип-хопRelease date: 31.12.2007
Age restrictions: 18+
Record label: DEF JAM
Song language: English
Song information On this page you can read the lyrics of the song Untitled , by - Nas. Song from the album Nas, in the genre Иностранный рэп и хип-хопUntitled |
| «They did not have the power to stop Louis Farrakhan |
| They were trying to touch on and thieve envy within the leadership |
| But as a general and a man that rose through the ranks through discipline |
| His presence inspired those men with the discipline he imposed on his own life |
| Louis Farrakhan» |
| Uhh, yeah, wow. |
| No revolutionary gets old or so I’m told |
| You’re left full of bullet holes when you tell the people go free |
| Oh, it’s a matter of days before they try to take me |
| I heard gun shots rang; |
| his bullet’s got my name |
| I ain’t see 'em take aim, I dreamt this day came |
| 'Cause I stood in the face of damnation |
| Satan spat at 'em, flat out disgraced 'em |
| He want my blood, why me? |
| Why not the fake ones who deserve death, man? |
| Fuck it, I’ll take one, 'cause stop me |
| But can’t stop a whole nation of millions who feel you deceived them |
| They believe in reparation makes it even |
| So I’m deadly now because of one reason, they listening |
| In Budapest, Japan, China, and Switzerland |
| We getting it in son |
| Another bullet pass by, missed me |
| Wondering who plotting to get me? |
| Alphabet boys still plotting against me |
| To hush me and stuff me in the pockets of history |
| You won’t remember why they came to clip me |
| When time go by you’ll soon forget me |
| They say he was the king of bling, jewels, and Bentleys |
| Then they use one of my lines just to prove I’m guilty |
| Don’t let 'em kill me… |
| «They did not have the power to stop Louis Farrakhan.» |
| «They did not have the power to stop Louis Farrakhan.» |
| «They did not have the power to stop Louis Farrakhan.» |
| «They did not have the power to stop Louis Farrakhan.» |
| Some revolutionaries do live long |
| Am I one of them? |
| Guess we’ll know in due time |
| Everybody has rights, can I use mine? |
| Can I rock shine? |
| Can I have a girl that’s too fine? |
| Got a swell life, tell me will I lose mine? |
| Every time I turn around somebody new dying |
| Let’s start living, À la carte, Escargot |
| Escobar, invest my millions |
| Mansion for the wife, the rest for the children |
| Knowing that they coming anytime |
| But until then, i’m at large till they shoot me |
| Million dollar stones in my camouflaged Gucci |
| Giving you this crack like Pookie |
| To question the system, be the resistance |
| No matter what color you are, everybody niggers |
| Or you can stand by or watch or you can march on with us |
| Some revolutionaries get old although I’m told |
| You’ll get a left full of bullet holes when you tell the people go free |
| Oh, it’s a matter of days before they try to take me |
| Some revolutionaries get old although I’m told |
| You’ll get a left full of bullet holes when you tell the people go free |
| Oh, it’s just a matter of days before they try to take me… |
| Name | Year |
|---|---|
| Patience ft. Damian Marley | 2010 |
| Road To Zion ft. Nas | 2004 |
| Die For It ft. The Weeknd, Nas | 2021 |
| Living in Pain ft. 2Pac, Mary J. Blige, Nas | 2005 |
| 27 Summers | 2020 |
| Bad Girls ft. Missy Elliott, Nas | 2011 |
| What's The Word ft. Nas | 2017 |
| Nah Mean ft. Damian Marley | 2010 |
| Leaders ft. Damian Marley, Stephen Marley | 2010 |
| Cherry Wine ft. Amy Winehouse | 2011 |
| As We Enter ft. Damian Marley | 2010 |
| This Bitter Land ft. Nas | 2016 |
| Letter To The King ft. Nas | 2007 |
| Hip Hop Is Dead ft. will.i.am | 2007 |
| The Goodlife ft. Nate Dogg, js | 2010 |
| Spicy ft. Fivio Foreign, A$AP Ferg | 2020 |
| Like Smoke ft. Nas | 2010 |
| Adam and Eve ft. The-Dream | 2018 |
| Grand Finale ft. Ja Rule, Method Man, Nas | 2010 |
| N.Y. State of Mind ft. National Symphony Orchestra | 2018 |