| SCAMBOT, OPHUNJI and KOOTCH:
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| The flucking madness of life
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| Singing alone in the trees
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| Dodging the hornets and bees
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| Govin is happy to be flying and free. |
| He remembers a melody that a critter once
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| sang to him via telepathy
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| GOVIN:
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| What can I do with this little car tune
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| Offered to me by a helpful raccoon?
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| BARNO (looking frantically for some important paperwork he’s misplaced):
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| How can I find everything that I feel, oh to help the people help me help
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| Ophunji kneel, oh
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| BEDELIA (a Quiet Child, steering the QC yacht):
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| Our cause is a flower blooming from a tiny seal
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| MORE QUIET CHILDREN:
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| And the world will see it grow
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| They will know what they should know, oh
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| BARNO:
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| I musta put it away, I musta put it away
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| I musta locked it in the bank for another day
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| MORE QUIET CHILDREN:
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| Yes, the world will see it grow and grow and, and…
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| GOD (encouraging Scambot):
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| What you are
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| Is a part
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| Of everything you’re doing
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| You’re a star
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| We’re the car
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| Grab ahold and vroom
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| SCAMBOT (to the voices in his head which he has not yet identified as those of
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| God):
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| Who you are?
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| I’m a star?
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| I’m a rag, I’m ruin
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| OPHUNJI:
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| I don’t know
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| Where we’re goin' and I feel that I’m not at the wheel anymore
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| KOOTCH (loathing himself in his bunk):
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| All this jerkin' off I been doin'
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| Had led us down the road of ruin
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| (I'm sorry, Ian)
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| The mediocracy boned and leeched me — woe!
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| But there’s a lesson if I let it teach me
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| This isn’t justice, it’s true
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| This is What Not To Do
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| Guitar!
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| He tries to distract himself with an imaginary guitar solo, but fails as it
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| turns into a brief, twisted ensemble statement
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| But every message
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| In every song and film
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| And book and sculpture
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| Or speech or painting
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| Aura, play or sermon
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| Or series and skit
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| Psalm and dance
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| Zen garden or mosaic in space
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| Has brought me to this place:
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| A puking, crying face
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| GOVIN (still flyin'):
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| What can I do with this little car tune
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| Offered to me by the helpful raccoon?
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| GOD:
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| Think it in D
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| Reverently
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| There’s a idea that’s appealing to Me
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| GOVIN:
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| What will we do when we get to the yacht?
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| Is what they’re needing a thing that I’ve got?
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| GOD:
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| You know your heart
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| You know you’re strong
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| You know what’s wrong
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| Simultaneously:
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| Ophunji and Scambot fly haphazardly;
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| Govin smoothly cuts through the air currents and grins;
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| Bedelia navigates through some rough waters, while Kootch gobbles Dramamine and
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| sobs;
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| And God claps their hands and dances, delighted by all of the above as they
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| watch the livestream
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| Meanwhile, Corporal Quaigo’s men arm themselves for the upcoming battle with
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| The Quiet Children
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| QUAIGO’S MEN:
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| Deadly confrontation is fun to eat
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| Dehumanisation just can’t be beat
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| Self-determination's what we mistreat
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| Ami is in the bunk above Kootch’s, and can’t get any sleep for his noisy
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| self-loathing
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| AMI:
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| Knock yer grousin' on the head, boy
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| Knock it on the head
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| Leave your nightmares in the bed, boy
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| KOOTCH:
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| I’m feeling the strain
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| I’m a boy in pain
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| AMI:
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| Fear don’t feel its soul
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| Near the wolfpack pole
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| Sacred dancing clown
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| We can take him down!
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| Break the nutshell crown!
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| Sing aaaaaaoooooooeeeeeee —
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| She hands Kootch a copy of the Bhagavad Gita for inspiration
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| Take this!
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| BARNO (coming across a vital-looking document in the media lab):
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| What’s THAT?!
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| OPHUNJI (startled by a bat, cutting him off in mid-air):
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| A flucking BAT!
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| GOD (enjoying the close call with the bat):
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| Oh joy!
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| KOOTCH (still awash in self-pity in his bunk):
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| Poor boy
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| CORPORAL QUAIGO (on a aircraft carrier addressing his men):
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| DEPLOY… Ten hut!
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| QUAIGO’S MEN (suddenly hit by something from above):
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| Wait, WHAT?
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| SURVEILLANCE SEAGULLS (soaring above Quaigo’s men and bombing them,
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| as they sing the originating location of the offending substance):
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| Our butt!
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| THE QUIET CHILDREN (heads touching in a circle on their yacht):
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| Sing OM…
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| WHITE-COATED TECHNICIANS (testing a sample of seawater, collected from where
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| Ophunji first captured Scambot):
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| Black foam?
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| JIMMY GARRISON, HUGH HOPPER, AND JACO PASTORIUS (arriving back in paradise
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| after a gig in a Mr. Pibb machine in Flagstaff):
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| We’re home
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| MS. |
| LORING (shaking her head at the piles of detritus in Ophunji’s office, |
| and at the life she’s arrived at — serving the whims of this dangerous,
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| oafish nicompoop):
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| Why me?
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| WRANGTHORN (quivering with excitement, watching Ophunji and Scambot whoosh
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| through the sky):
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| Fly free
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| SCAMBOT (missing his old cat buddy):
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| My Chee…
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| ENTIRE CAST (responding to an unasked, but obvious question):
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| Why not?
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| Ahhhhhhhhhhhhhhhhhhhh
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| Ahhhhhhhhhhhhhhhhhhhhhhh
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| AAAAAHHHHHHHHHHHHHHHHHHH
|
| In an alternate universe…
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| There is a dim, unfurnished room with billowing white curtains. |
| Outside,
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| shifting colors undulate in the atmosphere
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| Blenda Ophunji, Boleous’s late mother, walks into the room and sings.
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| Her voice undulates in the atmosphere as well
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| BLENDA:
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| «Later. |
| Much later,» they said…
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| Those were pretty much the last words I heard, and I’m not sure who said them
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| That’s when I saw the aliens
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| Rolling down the alley at a thousand miles an hour
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| «Trying too hard makes you a creep…»
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| No! |
| It was actually «Effort makes you a creepo.»
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| (I don’t know who said that either…)
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| Words stream out simultaneously from three unknown voices in various parts of
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| the room: «These are nuts, not… vitamins…» «That's some slammin'
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| perceptivity, Felix…» «Why is it so DARK in here? |
| My name is not Felix…
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| «Blenda ignores them and continues
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| It was one year after the Summer Of Love
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| My faith was shaken, and shaking more
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| All systems and all subjects had failed me
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| Spiritually, things were seesawing
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| Nothing about any of it was unique
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| On I went. |
| Trying, trying
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| I felt weird
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| But something was happening, and I could tell it was OK, even with the aliens
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| only a few inches away
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| That part was weird too
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| But I really finally could close my eyes, real tight and look way up hard into
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| my cranium, feel it and do it for real, rise up off the ground and relax those
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| shoulders and breath deep and other the city you go
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| Meanwhile…
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| Ophunji and Scambot come in for a rough landing on DaDunDa, both of them
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| bouncing off of trees and things, sustaining various comedy injuries
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| Wrangthorn makes himself corporeal and appears before them, revealing himself
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| as Ophunji’s evil God/benefactor/puppeteer. |
| He has to help them find the Quiet
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| Children’s underground media lab before the QC’s yacht arrives
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| WRANGTHORN:
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| Hey man
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| Your evil God’s here, now
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| Thought it was time to face-to-face it, now
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| And sing it like it’s a montage from an '80s teen flick:
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| Hey man
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| Your time to shine is now
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| Don’t need no evil god to show you how
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| Aaaaaaahhhh…
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| Hey Oaf!
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| Y’think your life is odd…
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| OPHUNJI:
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| I’d rather you not call me that, my God…
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| WRANGTHORN:
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| Aw, toughen up
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| You need thick skin to take this job on, buddy
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| WRANGTHORN AND OPHUNJI:
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| Now we’ll find
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| The QC mine
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| OPHUNJI:
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| Tell me one thing
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| Was I ever in the running?
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| Or was I just a fun thing?
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| A puppet for your whim?
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| Way I was with him?
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| WRANGTHORN:
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| Man, you’re super tiresome
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| But now I’ll let you spy something
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| Behind the door… |