Song information On this page you can find the lyrics of the song In the Trees, artist - Mike Keneally. Album song Scambot 2, in the genre Иностранный рок
Date of issue: 08.09.2016
Record label: Orchard
Song language: English
In the Trees |
SCAMBOT, OPHUNJI and KOOTCH: |
The flucking madness of life |
Singing alone in the trees |
Dodging the hornets and bees |
Govin is happy to be flying and free. |
He remembers a melody that a critter once |
sang to him via telepathy |
GOVIN: |
What can I do with this little car tune |
Offered to me by a helpful raccoon? |
BARNO (looking frantically for some important paperwork he’s misplaced): |
How can I find everything that I feel, oh to help the people help me help |
Ophunji kneel, oh |
BEDELIA (a Quiet Child, steering the QC yacht): |
Our cause is a flower blooming from a tiny seal |
MORE QUIET CHILDREN: |
And the world will see it grow |
They will know what they should know, oh |
BARNO: |
I musta put it away, I musta put it away |
I musta locked it in the bank for another day |
MORE QUIET CHILDREN: |
Yes, the world will see it grow and grow and, and… |
GOD (encouraging Scambot): |
What you are |
Is a part |
Of everything you’re doing |
You’re a star |
We’re the car |
Grab ahold and vroom |
SCAMBOT (to the voices in his head which he has not yet identified as those of |
God): |
Who you are? |
I’m a star? |
I’m a rag, I’m ruin |
OPHUNJI: |
I don’t know |
Where we’re goin' and I feel that I’m not at the wheel anymore |
KOOTCH (loathing himself in his bunk): |
All this jerkin' off I been doin' |
Had led us down the road of ruin |
(I'm sorry, Ian) |
The mediocracy boned and leeched me — woe! |
But there’s a lesson if I let it teach me |
This isn’t justice, it’s true |
This is What Not To Do |
Guitar! |
He tries to distract himself with an imaginary guitar solo, but fails as it |
turns into a brief, twisted ensemble statement |
But every message |
In every song and film |
And book and sculpture |
Or speech or painting |
Aura, play or sermon |
Or series and skit |
Psalm and dance |
Zen garden or mosaic in space |
Has brought me to this place: |
A puking, crying face |
GOVIN (still flyin'): |
What can I do with this little car tune |
Offered to me by the helpful raccoon? |
GOD: |
Think it in D |
Reverently |
There’s a idea that’s appealing to Me |
GOVIN: |
What will we do when we get to the yacht? |
Is what they’re needing a thing that I’ve got? |
GOD: |
You know your heart |
You know you’re strong |
You know what’s wrong |
Simultaneously: |
Ophunji and Scambot fly haphazardly; |
Govin smoothly cuts through the air currents and grins; |
Bedelia navigates through some rough waters, while Kootch gobbles Dramamine and |
sobs; |
And God claps their hands and dances, delighted by all of the above as they |
watch the livestream |
Meanwhile, Corporal Quaigo’s men arm themselves for the upcoming battle with |
The Quiet Children |
QUAIGO’S MEN: |
Deadly confrontation is fun to eat |
Dehumanisation just can’t be beat |
Self-determination's what we mistreat |
Ami is in the bunk above Kootch’s, and can’t get any sleep for his noisy |
self-loathing |
AMI: |
Knock yer grousin' on the head, boy |
Knock it on the head |
Leave your nightmares in the bed, boy |
KOOTCH: |
I’m feeling the strain |
I’m a boy in pain |
AMI: |
Fear don’t feel its soul |
Near the wolfpack pole |
Sacred dancing clown |
We can take him down! |
Break the nutshell crown! |
Sing aaaaaaoooooooeeeeeee — |
She hands Kootch a copy of the Bhagavad Gita for inspiration |
Take this! |
BARNO (coming across a vital-looking document in the media lab): |
What’s THAT?! |
OPHUNJI (startled by a bat, cutting him off in mid-air): |
A flucking BAT! |
GOD (enjoying the close call with the bat): |
Oh joy! |
KOOTCH (still awash in self-pity in his bunk): |
Poor boy |
CORPORAL QUAIGO (on a aircraft carrier addressing his men): |
DEPLOY… Ten hut! |
QUAIGO’S MEN (suddenly hit by something from above): |
Wait, WHAT? |
SURVEILLANCE SEAGULLS (soaring above Quaigo’s men and bombing them, |
as they sing the originating location of the offending substance): |
Our butt! |
THE QUIET CHILDREN (heads touching in a circle on their yacht): |
Sing OM… |
WHITE-COATED TECHNICIANS (testing a sample of seawater, collected from where |
Ophunji first captured Scambot): |
Black foam? |
JIMMY GARRISON, HUGH HOPPER, AND JACO PASTORIUS (arriving back in paradise |
after a gig in a Mr. Pibb machine in Flagstaff): |
We’re home |
MS. |
LORING (shaking her head at the piles of detritus in Ophunji’s office, |
and at the life she’s arrived at — serving the whims of this dangerous, |
oafish nicompoop): |
Why me? |
WRANGTHORN (quivering with excitement, watching Ophunji and Scambot whoosh |
through the sky): |
Fly free |
SCAMBOT (missing his old cat buddy): |
My Chee… |
ENTIRE CAST (responding to an unasked, but obvious question): |
Why not? |
Ahhhhhhhhhhhhhhhhhhhh |
Ahhhhhhhhhhhhhhhhhhhhhhh |
AAAAAHHHHHHHHHHHHHHHHHHH |
In an alternate universe… |
There is a dim, unfurnished room with billowing white curtains. |
Outside, |
shifting colors undulate in the atmosphere |
Blenda Ophunji, Boleous’s late mother, walks into the room and sings. |
Her voice undulates in the atmosphere as well |
BLENDA: |
«Later. |
Much later,» they said… |
Those were pretty much the last words I heard, and I’m not sure who said them |
That’s when I saw the aliens |
Rolling down the alley at a thousand miles an hour |
«Trying too hard makes you a creep…» |
No! |
It was actually «Effort makes you a creepo.» |
(I don’t know who said that either…) |
Words stream out simultaneously from three unknown voices in various parts of |
the room: «These are nuts, not… vitamins…» «That's some slammin' |
perceptivity, Felix…» «Why is it so DARK in here? |
My name is not Felix… |
«Blenda ignores them and continues |
It was one year after the Summer Of Love |
My faith was shaken, and shaking more |
All systems and all subjects had failed me |
Spiritually, things were seesawing |
Nothing about any of it was unique |
On I went. |
Trying, trying |
I felt weird |
But something was happening, and I could tell it was OK, even with the aliens |
only a few inches away |
That part was weird too |
But I really finally could close my eyes, real tight and look way up hard into |
my cranium, feel it and do it for real, rise up off the ground and relax those |
shoulders and breath deep and other the city you go |
Meanwhile… |
Ophunji and Scambot come in for a rough landing on DaDunDa, both of them |
bouncing off of trees and things, sustaining various comedy injuries |
Wrangthorn makes himself corporeal and appears before them, revealing himself |
as Ophunji’s evil God/benefactor/puppeteer. |
He has to help them find the Quiet |
Children’s underground media lab before the QC’s yacht arrives |
WRANGTHORN: |
Hey man |
Your evil God’s here, now |
Thought it was time to face-to-face it, now |
And sing it like it’s a montage from an '80s teen flick: |
Hey man |
Your time to shine is now |
Don’t need no evil god to show you how |
Aaaaaaahhhh… |
Hey Oaf! |
Y’think your life is odd… |
OPHUNJI: |
I’d rather you not call me that, my God… |
WRANGTHORN: |
Aw, toughen up |
You need thick skin to take this job on, buddy |
WRANGTHORN AND OPHUNJI: |
Now we’ll find |
The QC mine |
OPHUNJI: |
Tell me one thing |
Was I ever in the running? |
Or was I just a fun thing? |
A puppet for your whim? |
Way I was with him? |
WRANGTHORN: |
Man, you’re super tiresome |
But now I’ll let you spy something |
Behind the door… |