Song information On this page you can read the lyrics of the song In the Trees , by - Mike Keneally. Song from the album Scambot 2, in the genre Иностранный рокRelease date: 08.09.2016
Record label: Orchard
Song language: English
Song information On this page you can read the lyrics of the song In the Trees , by - Mike Keneally. Song from the album Scambot 2, in the genre Иностранный рокIn the Trees |
| SCAMBOT, OPHUNJI and KOOTCH: |
| The flucking madness of life |
| Singing alone in the trees |
| Dodging the hornets and bees |
| Govin is happy to be flying and free. |
| He remembers a melody that a critter once |
| sang to him via telepathy |
| GOVIN: |
| What can I do with this little car tune |
| Offered to me by a helpful raccoon? |
| BARNO (looking frantically for some important paperwork he’s misplaced): |
| How can I find everything that I feel, oh to help the people help me help |
| Ophunji kneel, oh |
| BEDELIA (a Quiet Child, steering the QC yacht): |
| Our cause is a flower blooming from a tiny seal |
| MORE QUIET CHILDREN: |
| And the world will see it grow |
| They will know what they should know, oh |
| BARNO: |
| I musta put it away, I musta put it away |
| I musta locked it in the bank for another day |
| MORE QUIET CHILDREN: |
| Yes, the world will see it grow and grow and, and… |
| GOD (encouraging Scambot): |
| What you are |
| Is a part |
| Of everything you’re doing |
| You’re a star |
| We’re the car |
| Grab ahold and vroom |
| SCAMBOT (to the voices in his head which he has not yet identified as those of |
| God): |
| Who you are? |
| I’m a star? |
| I’m a rag, I’m ruin |
| OPHUNJI: |
| I don’t know |
| Where we’re goin' and I feel that I’m not at the wheel anymore |
| KOOTCH (loathing himself in his bunk): |
| All this jerkin' off I been doin' |
| Had led us down the road of ruin |
| (I'm sorry, Ian) |
| The mediocracy boned and leeched me — woe! |
| But there’s a lesson if I let it teach me |
| This isn’t justice, it’s true |
| This is What Not To Do |
| Guitar! |
| He tries to distract himself with an imaginary guitar solo, but fails as it |
| turns into a brief, twisted ensemble statement |
| But every message |
| In every song and film |
| And book and sculpture |
| Or speech or painting |
| Aura, play or sermon |
| Or series and skit |
| Psalm and dance |
| Zen garden or mosaic in space |
| Has brought me to this place: |
| A puking, crying face |
| GOVIN (still flyin'): |
| What can I do with this little car tune |
| Offered to me by the helpful raccoon? |
| GOD: |
| Think it in D |
| Reverently |
| There’s a idea that’s appealing to Me |
| GOVIN: |
| What will we do when we get to the yacht? |
| Is what they’re needing a thing that I’ve got? |
| GOD: |
| You know your heart |
| You know you’re strong |
| You know what’s wrong |
| Simultaneously: |
| Ophunji and Scambot fly haphazardly; |
| Govin smoothly cuts through the air currents and grins; |
| Bedelia navigates through some rough waters, while Kootch gobbles Dramamine and |
| sobs; |
| And God claps their hands and dances, delighted by all of the above as they |
| watch the livestream |
| Meanwhile, Corporal Quaigo’s men arm themselves for the upcoming battle with |
| The Quiet Children |
| QUAIGO’S MEN: |
| Deadly confrontation is fun to eat |
| Dehumanisation just can’t be beat |
| Self-determination's what we mistreat |
| Ami is in the bunk above Kootch’s, and can’t get any sleep for his noisy |
| self-loathing |
| AMI: |
| Knock yer grousin' on the head, boy |
| Knock it on the head |
| Leave your nightmares in the bed, boy |
| KOOTCH: |
| I’m feeling the strain |
| I’m a boy in pain |
| AMI: |
| Fear don’t feel its soul |
| Near the wolfpack pole |
| Sacred dancing clown |
| We can take him down! |
| Break the nutshell crown! |
| Sing aaaaaaoooooooeeeeeee — |
| She hands Kootch a copy of the Bhagavad Gita for inspiration |
| Take this! |
| BARNO (coming across a vital-looking document in the media lab): |
| What’s THAT?! |
| OPHUNJI (startled by a bat, cutting him off in mid-air): |
| A flucking BAT! |
| GOD (enjoying the close call with the bat): |
| Oh joy! |
| KOOTCH (still awash in self-pity in his bunk): |
| Poor boy |
| CORPORAL QUAIGO (on a aircraft carrier addressing his men): |
| DEPLOY… Ten hut! |
| QUAIGO’S MEN (suddenly hit by something from above): |
| Wait, WHAT? |
| SURVEILLANCE SEAGULLS (soaring above Quaigo’s men and bombing them, |
| as they sing the originating location of the offending substance): |
| Our butt! |
| THE QUIET CHILDREN (heads touching in a circle on their yacht): |
| Sing OM… |
| WHITE-COATED TECHNICIANS (testing a sample of seawater, collected from where |
| Ophunji first captured Scambot): |
| Black foam? |
| JIMMY GARRISON, HUGH HOPPER, AND JACO PASTORIUS (arriving back in paradise |
| after a gig in a Mr. Pibb machine in Flagstaff): |
| We’re home |
| MS. |
| LORING (shaking her head at the piles of detritus in Ophunji’s office, |
| and at the life she’s arrived at — serving the whims of this dangerous, |
| oafish nicompoop): |
| Why me? |
| WRANGTHORN (quivering with excitement, watching Ophunji and Scambot whoosh |
| through the sky): |
| Fly free |
| SCAMBOT (missing his old cat buddy): |
| My Chee… |
| ENTIRE CAST (responding to an unasked, but obvious question): |
| Why not? |
| Ahhhhhhhhhhhhhhhhhhhh |
| Ahhhhhhhhhhhhhhhhhhhhhhh |
| AAAAAHHHHHHHHHHHHHHHHHHH |
| In an alternate universe… |
| There is a dim, unfurnished room with billowing white curtains. |
| Outside, |
| shifting colors undulate in the atmosphere |
| Blenda Ophunji, Boleous’s late mother, walks into the room and sings. |
| Her voice undulates in the atmosphere as well |
| BLENDA: |
| «Later. |
| Much later,» they said… |
| Those were pretty much the last words I heard, and I’m not sure who said them |
| That’s when I saw the aliens |
| Rolling down the alley at a thousand miles an hour |
| «Trying too hard makes you a creep…» |
| No! |
| It was actually «Effort makes you a creepo.» |
| (I don’t know who said that either…) |
| Words stream out simultaneously from three unknown voices in various parts of |
| the room: «These are nuts, not… vitamins…» «That's some slammin' |
| perceptivity, Felix…» «Why is it so DARK in here? |
| My name is not Felix… |
| «Blenda ignores them and continues |
| It was one year after the Summer Of Love |
| My faith was shaken, and shaking more |
| All systems and all subjects had failed me |
| Spiritually, things were seesawing |
| Nothing about any of it was unique |
| On I went. |
| Trying, trying |
| I felt weird |
| But something was happening, and I could tell it was OK, even with the aliens |
| only a few inches away |
| That part was weird too |
| But I really finally could close my eyes, real tight and look way up hard into |
| my cranium, feel it and do it for real, rise up off the ground and relax those |
| shoulders and breath deep and other the city you go |
| Meanwhile… |
| Ophunji and Scambot come in for a rough landing on DaDunDa, both of them |
| bouncing off of trees and things, sustaining various comedy injuries |
| Wrangthorn makes himself corporeal and appears before them, revealing himself |
| as Ophunji’s evil God/benefactor/puppeteer. |
| He has to help them find the Quiet |
| Children’s underground media lab before the QC’s yacht arrives |
| WRANGTHORN: |
| Hey man |
| Your evil God’s here, now |
| Thought it was time to face-to-face it, now |
| And sing it like it’s a montage from an '80s teen flick: |
| Hey man |
| Your time to shine is now |
| Don’t need no evil god to show you how |
| Aaaaaaahhhh… |
| Hey Oaf! |
| Y’think your life is odd… |
| OPHUNJI: |
| I’d rather you not call me that, my God… |
| WRANGTHORN: |
| Aw, toughen up |
| You need thick skin to take this job on, buddy |
| WRANGTHORN AND OPHUNJI: |
| Now we’ll find |
| The QC mine |
| OPHUNJI: |
| Tell me one thing |
| Was I ever in the running? |
| Or was I just a fun thing? |
| A puppet for your whim? |
| Way I was with him? |
| WRANGTHORN: |
| Man, you’re super tiresome |
| But now I’ll let you spy something |
| Behind the door… |
| Name | Year |
|---|---|
| Listening ft. Matt Guillory, Mike Mangini, Mike Keneally | 2001 |
| Save Me ft. Matt Guillory, Mike Mangini, Mike Keneally | 2001 |
| Confronting The Devil ft. Matt Guillory, Mike Mangini, Mike Keneally | 2001 |
| Venice Burning ft. Matt Guillory, Mike Mangini, Mike Keneally | 2001 |
| Tell Me ft. Matt Guillory, Mike Mangini, Mike Keneally | 2001 |
| A Simple Man ft. Matt Guillory, Mike Mangini, Mike Keneally | 2001 |
| You Got to Go up ft. Mike Keneally, Scott Thunes | 2016 |
| Falling ft. Matt Guillory, Mike Mangini, Mike Keneally | 2001 |
| Believe ft. Matt Guillory, Mike Mangini, Mike Keneally | 2001 |
| Tell Me River ft. Mike Keneally, Scott Thunes | 2016 |
| Stranger ft. Matt Guillory, Mike Mangini, Mike Keneally | 2001 |
| Siberian Khatru ft. Bryan Beller, Kevin Gilbert, Nick D'Virgilio | 2007 |