| Mic check…
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| Come through, dig the sound!
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| Crowd around!
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| I used to cop a lot
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| But never copped no drop
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| Hold mics like pony tails, tight, in Stop and stick around
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| Come through and dig the sound
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| Of the fly brown six-o sicko psycho who throws his dick around
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| Bound to go three-plat
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| Came to destroy rap
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| It’s a intricate plot of a b-boy strap
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| cats get kidnapped
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| Then release a statement to the press — let the rest know who did that
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| Metal Face terrorists claim responsibility
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| Broken household name usually said in hostility
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| Um… what… MF, you silly
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| I’d like to take Mens to the End for two milli'
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| Doo-doo-doo-doo-doo! |
| That’s a audio daily double
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| Rappers need to fall off just to save me the trouble, yo Watch your own back
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| Came in and go out alone, black
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| Stay in the zone — turn H2O to Cognac
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| On Doomsday!
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| Ever since the womb ‘til I’m back where my brother went
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| That’s what my tomb will say
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| Right above my government, Doom will lay
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| Either unmarked or engraved, hey, who’s to say?
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| I wrote this one in B.C. |
| D.C. O-section
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| If you don’t believe me, go get bagged and check then
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| Cell number 17, up under the top bunk
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| I say this not to be mean, wish bad luck or pop junk
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| Pop the trunk on See-Cipher-Punk, leave him left scraped
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| God forbid, if there ain’t no escape, blame MF tape
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| Definition super-villain: a killer who love children
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| One who is well-skilled in destruction, as well as building
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| While Sidney Sheldon teaches the trife to be trifer
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| I’m trading science fiction with my man the live lifer
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| A pied piper holler a rhyme, a dollar and a dime
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| Do his thing, ring around the white collar crime
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| Get out my face, askin'‘bout my case, need toothpaste
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| Fresher mint, monkey-style nigga get
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| And dope fiends still in they teens, shook niggas turn witness
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| Real mens mind their own business
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| That’s the difference between sissy-pissy rappers that’s double-dutch
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| How come I hold the microphone double-clutch
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| C.O.'s make rounds, never have ‘ox found
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| On shakedown, lock-down, wet dreams of Fox’Brown
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| On Doomsday!
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| Ever since the womb ‘til I’m back where my brother went
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| That’s what my tomb will say
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| Right above my government, Doom will lay
|
| Either unmarked or engraved, hey, who’s to say?
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| Doomsday
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| Every since the womb ‘til I’m back to the essence
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| Read it off the tomb
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| Either engraved or unmarked grave, who’s to say?
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| Pass the mic like Pass the peas like they used to say
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| Some M-er F-ers don’t like how Sally walk
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| I’ll tell y’all fools it’s hella cool how ladies from Cali talk
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| Never let her interfere with the Yeti ghetto slang
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| Nicknames .metal fang
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| Known amongst hoes for the bang-bang
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| Known amongst foes for flow with no talking orangutangs
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| Only gin and Tang
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| Guzzled out a rusty tin can
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| Me and this mic is like yin and yang
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| Clang! |
| Crime don’t pay, listen, youth
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| It’s like me holding up the line at the kissing booth
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| I took her back to the truck, she was uncouth
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| Spittin’all out the sunroof, through her missing tooth
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| But then she has a sexy voice, sound like Jazzy Joyce
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| So I turned it up faster than a speeding knife
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| Strong enough to please a wife
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| Able to drop today’s math in the 48 keys of life
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| Cut the crap far as rap
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| Touch the mic, get the same thing a Arab will do to you for stealing
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| What the devil? |
| He’s on another level
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| It’s a word! |
| No, a name! |
| MF — the super-villain!
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| Doomsday!
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| Dig the sound
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| Crowd around |