| Hot damn, hot damn, hot damn, hot damn, hot damn
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| Hot damn ho, here we go again
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| Suckers steal a beat when you know they can’t win
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| You stole the beat—are you having fun?
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| Now me and the Aud’s gonna show you how it’s done
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| You are what I label as a nerver plucker
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| You’re plucking my nerves you MC sucker
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| I thought I oughta tell you, better yet warn
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| That I am like a stock and my word is bond
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| Like James, killing everybody in sight
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| The code’s three-six, the name is Lyte
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| After this jam, I really don’t give a damn
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| Cause I’mma run and tell your whole damn clan
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| That you’re a…
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| Beat biter, dope style taker
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| Tell you to your face you ain’t nothing but a faker
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| Hit me why don’t ya, hit me why don’t ya
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| Milk’s bodyguard is my bodyguard too
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| You wanna get hurt? |
| Well, this is what you do
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| You put your left foot up and then your right foot next
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| Follow instructions, don’t lose the context
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| Thirty days a month your mood is rude
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| We know the cause of your bloody attitude
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| Your style is smooth, even for a cheating mic
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| You shoulda won a prize as a Rakim sound-alike
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| Here’s a Milkbone, a sign of recognition
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| Don’t turn away, I think you should listen close
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| Don’t boast, you said you wasn’t bragging
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| You fucking liar, you’re chasin' a chuckwagon
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| The only way you learn, you have to be taught
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| That if a beat is not for sale, then it can’t be bought
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| When you leave the mic, you claim it’s smoking
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| Unlike Rakim, you are a joke
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| And I think you ought to stop, before you get in too deep
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| Cause with a sister like Lyte, yo I don’t sleep
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| When I’m in a jam, with my homegirl Jill
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| My cousin Trey across the room with a posse of girls
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| So I step in the middle, shake it just a little
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| Wait for some female to step up and pop junk
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| Give my cousin a cue, treat the girl like a punk
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| Now I’m not trying to say that I’m into static
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| But yo if you cause it, yep, we gotta have it
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| Cause I ain’t going out like a sucker no way
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| So I sit around the way for you to make my day
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| We can go for the hands, better yet for the words
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| Cause you’ll be ignored, and at the same time I’ll be heard
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| Throughout the city, the town and the country
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| The beat is funky, my rhyme is spunky
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| There is no delaying in the rhyme I’m saying
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| Neither are there flaws in what my DJ is playing
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| So sit back Jack, and listen to this, it’s 10% dis
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| Cause I’m just about ready to fly this fist against your lips
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| But I’ll wait for the day or night that you approach
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| And I’mma serve and burn ya like a piece of toast
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| Pop you in the microwave and watch your head bubble
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| Your skin just crumble, a battle’s no trouble
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| Get my homegirls Joanie and Kiki to get stupid
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| This thing called hip-hop, Lyte is ruling it
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| I hate to laugh in your face, but you’re funny
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| Your beat, your rhyming, your timing, all crummy
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| On the topic of rapping, I should write a pamphlet better yet a booklet
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| Your rap is weak homegirl, and it’s definitely crooked
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| Others write your rhymes while I write my own
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| I don’t create a character when I’m on the microphone
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| I am myself, no games to be played
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| No script to be written, no scene to be made
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| I am the director, as far as you are concerned
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| You don’t believe me, then you’ll have to learn
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| This ain’t as hard as MC Lyte can get
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| Matter of fact, you ain’t seen nothing yet
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| So never let me step into a party hardy
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| Talk to some people and then hear from somebody
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| 'You wanna battle?' |
| cause you know where I am
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| You don’t wanna come in the 90's and see me at a jam
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| When a mic is handy, ten feet away
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| I stretch my arm like elastic, hand like a magnet
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| Set assure, you know I don’t play
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| When it comes down to it, the nitty gritty
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| For a sucker like you I feel a whole lot of pity |