
Date of issue: 15.10.2015
Age restrictions: 18+
Record label: Bad Boy, Interscope
Song language: English
All Night Long |
Ay yo |
This that shit you bob your head to |
This that brand new instrumental |
I heard he puts his city on |
That boy Kells so influential |
Success got everybody hating |
Success to me is inspiration |
Cause how we supposed to know that what we dream is possible |
If don’t nobody that looks like us makes it? |
You only got one life, don’t waste it |
I mean we only got one night, get wasted |
I mean I know you’re trying to think it out |
But go with what you feel cause real problems can’t be calculated |
It’s hard to find the answer when they have no explanation |
It’s hard to find where you’re headed when there’s no destination |
It’s hard to know when we’re going when there’s no expiration |
So until that day, just keep that Kells inside your playlist and |
Bring those speakers up on blast, play it all night long |
Bring those speakers up on blast, play it all night long |
Bring those speakers up on blast, play it all night long |
Bring those speakers up on blast, play it all night long |
Drinking whiskey like a desperado |
My bitches drinking Reposado |
Ashing in an empty bottle |
Listening to the songs that put our asses in this empty condo |
Remember ridin' 'round in Ashleigh’s car though? |
When the radio first played our song though? |
Or at her house when MTV first showed my face |
That clip was crazy, I swear it felt like we won the lotto |
But a million bucks can’t buy priceless moments |
An a million people may not know us |
But every one of us wants this gift we own |
And that is: how is how to keep it real |
How to never judge somebody by their steering wheel |
Cause you know that mother fucker in that Ford Taurus |
Could be the next mother fucker in that new Porsche |
But like I said it’s hard to know where you’re headed |
When there’s no destination |
So until that day, just keep that Kells inside your playlist and |
Bring those speakers up on blast, play it all night long |
Bring those speakers up on blast, play it all night long |
Bring those speakers up on blast, play it all night long |
Bring those speakers up on blast, play it all night long |
This shit right here, man, this shit feels right! |
Aye Dub! |
Aye Dre! |
Aye Irv! |
you know it’s all year right? |
Hah! |
I’m sitting here in the middle of New York |
City, the night before I gotta turn my second album in, higher than a |
motherfucka, drunker than a motherfucka, with my boys, and I’m thinking, damn, |
man 5 years ago, we were dead broke chilling in Cleveland everyday, |
and the next thing you know, people are calling us about record deals. |
And you know, the crazy part is, Ashleigh rented this white Nissan Altima for |
me and Slim so we could drive out to New York. |
I think she had to some work |
some shit or something, so she couldn’t go so we were gonna go out there and |
see what these labels were talking about. |
And I’m driving us there, |
but my license’s suspended so I tell Slim, I’m like «Yo, I gotta pull up |
before we get to New York and switch, so you can drive in case we get pulled |
over» cause we got pulled over the last time we went there. |
But you know, |
he had a license so it made sense for him to drive so cut to like 7 and a half |
hours later, I’m pulling over in this emergency lane and right as I’m opening |
the door to switch with Slim, boom! |
This fucking car going full speed on the |
highway swerves off the road and smashed into us. |
Yo, I swear to God I woke up |
half my body’s laying outside the car in the ditch, like 15−20 feet away from |
where we just were. |
The car was totalled, the windows were smashed, |
it was cold as fuck, it was raining outside, but we were actually okay. |
I mean, my boy had to go the hospital you know the ambulance came and shit, |
he ended up being alright, but our meeting’s with the record label started at |
2 and we didn’t have no car, and now we were stuck in a fucking hospital in New |
Jersey. |
So this dude that, I ended up partnering with later on, his name’s |
James McMillan, he comes and gets us to these meetings and shit, somehow, |
someway. |
I don’t know if it was just because we just got into a crazy car |
crash and could’ve died a couple of hours ago but I’m in there and like you |
know I’m not feeling this shit man I’m not feeling this record label shit and |
we drove back to Cleveland. |
Now I’m back in Ashleigh’s mom’s basement, |
I’m thinking about life, you know, I’m on a shit ton of vicodin cause the |
doctors at the hospital you know gave us something cause we got into that car |
accident and Ashleigh runs downstairs and she’s like «Yo, yo, Kells, Kells, |
you’re not gonna believe who wants to talk to you right now.» |
I’m like, «who? |
«She's like «He's gonna call you in 30 seconds.» |
Now I guess, when I was in |
New York, I had made some kinda noise cause this dude named Byron who ended up |
becoming my manager later on took this video I had called «Chip off the Block» |
over to Bad Boy and showed Harve Pierre and Harve Pierre went and showed that |
vid to a guy named Puff, so I answer my phone, depressed, down, fucked up on |
vicodin and I hear: «Please hold, I have Mister Sean Combs for you. |
«I said, god damn, life’s about to change, man, I felt it. |
And sometimes thats |
all it takes, it’s just that feeling you know what I mean. |
I knew I was gonna |
be here, and now I’m here |
Feel that, uh |
Lace up, Kells |
Lace up, Kells |
Farewell, yeah |
This that shit you bob your head to |
This that brand new instrumental |
I heard he puts his city on |
That boy, Kells |
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