| (I know, I know but I gotta get up outta here,
|
| You know, I gotta go pay these bills,
|
| I got a show to do, you know?)
|
| One time, for your mind.
|
| Let’s go to sleep in Paris,
|
| And wake up in Tokyo.
|
| Have a dream in New Orleans,
|
| Fall in love in Chicago,
|
| Mayne.
|
| Wherever I go she goes.
|
| I love her
|
| And I hate to leave her lonely
|
| Ring ring went the Iphone, it was my homie
|
| He said, «let's hit Japan,
|
| If we can make 'em jam,
|
| We can make a hundred grand,
|
| Spend it in the south of France
|
| Nothing further."I jumped,
|
| Grabbed my go-yard trunk,
|
| Got ready to 'walk it out,'like Unk
|
| In my John Lennon chucks.
|
| That’s when I heard Murder
|
| You’re killin me, you’re fillin me With sorrow, sunrise, «goobye"'s,
|
| And «missin you tomorrow"'s.
|
| I turn to see my dream
|
| Love supreme queen, meanest thing on the scene, cry.
|
| I drop my bags in a flash
|
| That’s faster one A-T on that dash-er,
|
| To dry your tears.
|
| And wipe the rain from my dear like dash-er,
|
| Use the dame who’s the username to all my pass-words.
|
| The reason I get fly as Ivan Jasp-er,
|
| I even keep your picture in my pass-purt.
|
| (love love)
|
| Let’s go to sleep in Paris,
|
| And wake up in Tokyo.
|
| Have a dream in New Orleans,
|
| Fall in love in Chicago,
|
| Mayne.
|
| Then we can land in the motherland,
|
| Camelback across the desert sand.
|
| Take a train, to Rome, or home,
|
| Brazil, forreal.
|
| Wherever I go she goes.
|
| Wherever I go she goes.
|
| So let’s keep it, real,
|
| All in’t together, «free chill!»
|
| Tell the stewardess to throw a movie, on the reel.
|
| Heat up my kosher meal, exchange my dollar bills,
|
| Lean back in my first-class seat, and sleep.
|
| Don’t wake me till I land, when they barely understand
|
| What I speak, but they nod to my beats.
|
| I tell my fans who I am and they stand and they clap
|
| They applaud. |
| They love me, my God.
|
| «O'scadie sama’desta"or maybe «au revoir,»
|
| «A spree on Saint Henry,"then back to Charles de Gaul.
|
| So I can get home and tell her everywhere that I been,
|
| And, everything that I done, and,
|
| Tell her that she’s the one, and, um.
|
| Let’s go to sleep in Paris,
|
| And wake up in Tokyo.
|
| Have a dream in New Orleans,
|
| Fall in love in Chicago,
|
| Mayne.
|
| Then we can land in the motherland,
|
| Camelback across the desert sand.
|
| Take a train, to Rome, or home,
|
| Brazil, forreal.
|
| Wherever I go she goes.
|
| Wherever I go she goes.
|
| Uh.
|
| Guess who’s back in the, house,
|
| With a bunch of souvenirs, and a smile for your mouth.
|
| I really missed you, each and every night I kissed you
|
| In my dreams, 'fore I went to sleep, to La-La land to count them sheep.
|
| I swear you’re lookin prettier than ever,
|
| It’s got to be a prophecy for us to stay together ever more.
|
| For better or, less or poor, all worth the wait in buried treasure
|
| X’s on the shore.
|
| I know my world tour’s like war to you,
|
| But Ian said, «Aloha,"and Harley said, «Cheers!»
|
| Julian said, «Bonjour!,"Big O was like «Yeahhhhh!»
|
| Amanda and Lemessie want to know when we goin there.
|
| Edison sends his love, so does the rest of the club
|
| Of the international play-boys and play-yas.
|
| But I revoke my membership, all for My Tenderness,
|
| She said, «Pursue your interests, 'cause even If
|
| I’m ticketless, I’ll be there, by your side,
|
| In your heart and, on your mind.»
|
| So, as I taxi down another runway,
|
| I Gotcha, who loves you 'bay?
|
| Now bring it back, now, uh.
|
| Let’s go to sleep in Paris,
|
| And wake up in Tokyo.
|
| Have a dream in New Orleans,
|
| Fall in love in Chicago,
|
| Mayne.
|
| Then we can land in the motherland,
|
| Camelback across the desert sand.
|
| Take a train, to Rome, or home,
|
| Brazil, forreal.
|
| Wherever I go she goes.
|
| Wherever I go she goes.
|
| Wherever I go she goes.
|
| Wherever I go she goes. |