| Yeah, I’m losing my edge
|
| I’m losing my edge
|
| The kids are coming up from behind
|
| I’m losing my edge
|
| I’m losing my edge to the kids from France and from London
|
| But I was there
|
| I was there in 1968
|
| I was there at the first Can show in Cologne
|
| I’m losing my edge
|
| I’m losing my edge to the kids whose footsteps I hear when they get on the decks
|
| I’m losing my edge to the Internet seekers who can tell me every member of
|
| every good group from 1962 to 1978
|
| I’m losing my edge
|
| To all the kids in Tokyo and Berlin
|
| I’m losing my edge to the art-school Brooklynites in little jackets and
|
| borrowed nostalgia for the unremembered Eighties
|
| But I’m losing my edge
|
| I’m losing my edge, but I was there
|
| I was there
|
| But I was there
|
| I’m losing my edge
|
| I’m losing my edge
|
| I can hear the footsteps every night on the decks
|
| But I was there
|
| I was there in 1974 at the first Suicide practices in a loft in New York City
|
| I was working on the organ sounds with much patience
|
| I was there when Captain Beefheart started up his first band
|
| I told him, «Don't do it that way. |
| You’ll never make a dime.»
|
| I was there
|
| I was the first guy playing Daft Punk to the rock kids
|
| I played it at CBGB’s
|
| Everybody thought I was crazy
|
| We all know
|
| I was there
|
| I was there
|
| I’ve never been wrong
|
| I used to work in the record store
|
| I had everything before anyone
|
| I was there in the Paradise Garage DJ booth with Larry Levan
|
| I was there in Jamaica during the great sound clashes
|
| I woke up naked on the beach in Ibiza in 1988
|
| But I’m losing my edge
|
| To better-looking people
|
| With better ideas and more talent
|
| And they’re actually really, really nice
|
| I’m losing my edge
|
| I heard you have a compilation of every good song ever done by anybody.
|
| Every great song by the Peech Boys. |
| All the underground hits. |
| All the Modern
|
| Lovers tracks. |
| I heard you have a vinyl of every Niagara record on German
|
| import. |
| I heard that you have a white label of every seminal Detroit techno hit
|
| — 1985, '86, '87. |
| I heard that you have a CD compilation of every good '60s cut
|
| and another box set from the '70s
|
| I hear you’re buying a synthesizer and an arpeggiator and are throwing your
|
| computer out the window because you want to make something real.
|
| You want to make a Yaz record
|
| I hear that you and your band have sold your guitars and bought turntables
|
| I hear that you and your band have sold your turntables and bought guitars
|
| I hear everybody that you know is more relevant than everybody that I know
|
| But have you seen my records? |
| This Heat, Pere Ubu, Outsiders, Nation of Ulysses,
|
| Mars, The Trojans, The Black Dice, Todd Terry, The Germs, Section 25,
|
| Althea and Donna, Sexual Harrassment, a-ha, Pere Ubu, Dorothy Ashby, PIL,
|
| Fania All-Stars, The Bar-Kays, The Human League, The Normal, Lou Reed,
|
| Scott Walker, Monks, Niagara, Joy Division, Laurent Garnier, The Creation,
|
| Sun Ra, Scientists, Royal Trux, 10cc, Rammellzee, Eric B. and Rakim, Index,
|
| Basic Channel, Soulsonic Force (just hit me!), Juan Atkins, Manuel Göttsching,
|
| David Axelrod, Electric Prunes, Gil! |
| Scott! |
| Heron!, The Slits, Faust,
|
| Mantronix, Pharoah Sanders and The Fire Engines, The Swans, the Soft Cell,
|
| The Sonics, The Sonics, The Sonics, The Sonics
|
| You don’t know what you really want
|
| You don’t know what you really want
|
| You don’t know what you really want
|
| You don’t know what you really want
|
| You don’t know what you really want
|
| You don’t know what you really want
|
| You don’t know what you really want
|
| You don’t know what you really want
|
| You don’t know what you really want
|
| You don’t know what you really want
|
| You don’t know what you really want
|
| You don’t know what you really want
|
| You don’t know what you really want
|
| You don’t know what you really want
|
| You don’t know what you really want
|
| (Okay, stop) |