| In 1980, as part of a project called Word of Mouth, I was invited,
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| along with eleven other artists, to go to Ponape, a tiny island in the middle
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| of the Pacific. |
| The idea was that we’d sit around talking for a few days and
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| that the conversations would be made into a talking record
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| The first night we were all really jet-lagged. |
| But as soon as we sat down the
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| organizers set up all these mics and switched on thousand-watt light bulbs,
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| and we tried our best to seem as intelligent as possible
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| Television had just come to Ponape a week before we arrived, and there was a
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| strong excitement around the island, as people crowded around the few sets
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| Then the day after we arrived, in a bizarre replay of the first TV show ever
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| broadcast to Ponape, prisoners escaped from a jail, broke into the radio
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| station and murdered the DJ. |
| Then they went off on a rampage through the jungle
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| armed with lawnmower blades. |
| In all, four people were murdered in cold blood
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| Detectives, flown in from Guam to investigate, swarmed everywhere
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| At night we stayed around in our cottages listening out into the jungle
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| Finally the local chief decided to hold a ceremony for the murder victims.
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| The artist Marina Abramović and I went, as representatives of our group,
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| to film it
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| The ceremony was held in a large thatched lean-to, and most of the ceremony
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| involved cooking beans in pits and brewing a dark drink from roots.
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| The smell was overwhelming. |
| Dogs careened around barking, and everybody seemed
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| to be having a fairly good time, as funerals go
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| After a few hours, Marina and I were presented to the chief, who was sitting on
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| a raised platform above the pits. |
| We’d been told we couldn’t turn our backs on
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| the chief at any time, or ever be higher than he was. |
| So we scrambled up onto
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| the platform with our film equipment and sort of duck-waddled up backwards to
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| the chief
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| As a present I brought one of those Fred Flintstone cameras, the kind where the
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| film canister is also the body of the camera, and I presented it to the chief.
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| He seemed delighted and began to click off pictures. |
| He wasn’t advancing the
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| film between shots, but since we were told we shouldn’t speak unless spoken to,
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| I wasn’t able to inform him that he wasn’t going to get twelve pictures,
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| but only one, very, very complicated one
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| After a couple more hours, the chief lifted his hand and there was absolute
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| silence
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| All the dogs had suddenly stopped barking. |
| We looked around and saw the dogs.
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| All their throats had been simultaneously cut, and their bodies,
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| still breathing, pierced with rods, were turning on the spits. |
| The chief
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| insisted we join in the meal, but Marina had turned green, and I asked if we
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| could just have ours to go
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| They carefully wrapped the dogs in leaves and we carried their bodies away |