| Well, I was lying in bed one morning, trying to think of a good reason to get
|
| up, and the phone rang and it was Geri and she said: Hey, hi! |
| How are you?
|
| What’s going on? |
| How’s your work?
|
| Oh fine. |
| You know, just waking up but it’s fine, it’s going OK, how’s yours?
|
| Oh a lot of work, you know, I mean, I’m trying to make some money too.
|
| Listen, I gotta get back to it, I just thought I’d call to see how you are …
|
| And I said: Yeah, we should really get together next week. |
| You know, have lunch,
|
| and talk. |
| And she says: Yeah, uh, I’ll be in touch. |
| OK?
|
| OK
|
| Uh, listen, take care
|
| OK. |
| Take it easy
|
| Bye bye
|
| Bye now. |
| And I get up, and the phone rings and it’s a man from Cleveland and he
|
| says: Hey, hi! |
| How are you? |
| Listen I’m doing a performance series and I’d like
|
| you to do something in it. |
| Uh, you know, you could make a little money.
|
| I mean, I don’t know how I _feel_ about your work, you know, it’s not really
|
| my style, it’s kind of trite, but listen, it’s _just_ my opinion,
|
| don’t take it personally. |
| So listen, I’ll be in town next week.
|
| I gotta go now, but I’ll give you a call, and we’ll have lunch,
|
| and we can discuss a few things
|
| And I hang up and it rings again and I don’t answer it and I go out for a walk
|
| and I drop in at the gallery and they say: Hey, hi. |
| How are you?
|
| Oh fine. |
| You know
|
| How’s your work going?
|
| OK. |
| I mean …
|
| You know it’s not like it was in the sixties. |
| I mean, those were the days,
|
| there’s just no money around now, you know, survive, produce, stick it out,
|
| it’s a jungle out there, just gotta keep working
|
| And the phone rings and she says: Oh excuse me, will you? |
| Hey, hi! |
| How are you?
|
| Uh huh. |
| How’s your work? |
| _Good._ Well, listen, stick it out, I mean,
|
| it’s not the sixties, you know, listen, I gotta go now, but, uh,
|
| lunch would be great. |
| Fine, next week? |
| Yeah. |
| Very busy now, but next week
|
| would be fine, OK? |
| Bye bye
|
| Bye now
|
| And I go over to Magoo’s, for a bite, and I see Frank and I go over to his
|
| table and I say:
|
| Hey Frank. |
| Hi, how are you? |
| How’s your work? |
| Yeah, mine’s OK too.
|
| Listen, I’m broke you know, but, uh, working … Listen, I gotta go now, uh,
|
| we should _really_ get together, you know. |
| Why don’t you drop by sometime?
|
| Yeah, that would be great. |
| OK. |
| Take care
|
| Take it easy
|
| I’ll see you
|
| I’ll call you
|
| Bye now
|
| Bye bye
|
| And I go to a party and everyone’s sitting around wearing these party hats and
|
| it’s really awkward and no one can think of anything to say. |
| So we all move
|
| around--fast--and it’s: Hi! |
| How are you? |
| Where’ve you been? |
| Nice to see you.
|
| Listen, I’m sorry I missed your thing last week, but we should really get
|
| together, you know, maybe next week. |
| I’ll call you. |
| I’ll see you
|
| Bye bye
|
| And I go home and the phone rings and it’s Alan and he says: You know,
|
| I’m gonna have a show on, uh, cable TV and it’s gonna be about loneliness,
|
| you know, people in the city who for whatever sociological, psychological,
|
| philosophical reasons just can’t seem to communicate, you know, The Gap,
|
| The Gap, uh, it’ll be a talk show and people’ll phone in but we will say at
|
| the beginning of each program: Uh, listen, don’t call in with your _personal_
|
| problems because we don’t want to hear them
|
| And I’m going to sleep and it rings again and it’s Mary and she says:
|
| Hey, Laurie, how are you? |
| Listen, uh, I just called to say hi …
|
| Uh, yeah, well don’t worry. |
| Uh, listen, just keep working. |
| I gotta go now.
|
| I know it’s late but we should really get together next week maybe and have
|
| lunch and talk and … Listen, Laurie, uh, if you want to talk before then, uh,
|
| I’ll leave my answering machine on … and just give me a ring … anytime |