| Cheyenne! |
| Look at what the liquor brings about
|
| Throw out the magic basket full of wires
|
| And let them flail all on the ground
|
| Why do they love it so?
|
| Hatched seeds of light supported by light seaward breezes
|
| And we see these orbs in a car chase of sorts
|
| Absorbs sweet Lorraine and her dolly on the front porch and it escorts them into
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| Deep, dark, space around Taurus;
|
| And the Mormons can’t explain the stars reflected in her corneas
|
| It makes they hearts beat hard against they corsets
|
| Which bops they lockets up against they foreheads
|
| And who was it that took this little girl’s mind up into orbit?
|
| She had to forfeit little dolly while in space
|
| So that she could touch the stars like torches
|
| Privately
|
| We recorded her intimately, yes!
|
| We courted her with, «Miss Cinnamon Tea
|
| Please rest your itty bitty palms in my
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| In-can-des-cently glowing hands and in-finitely
|
| We will explore your inquisitive, tendencie
|
| The intrinsic and the explicit
|
| We won’t inhibit any of your inquiry
|
| But first the fire must be met
|
| Then quenched by you candidly and randomly venting any thoughts, memories,
|
| anything!
|
| It’s time for you to start channeling what you’ve been gathering!»
|
| And so we left gravity
|
| Instantly engulfing Lorraine in a shimmering cavity then
|
| Flattening like an elasticine band that stretches and contorts
|
| And then I’d widen like the space highway spiraling sideways, contract and
|
| dilate
|
| Then straighten up at 100 miles then fall on myself in layers
|
| Like a thickened band of taffy
|
| Assuming every length and shape imaginable
|
| I catapulted Lorraine and her stuffed animal into still deeper space
|
| But fathoming what I had actually done
|
| And her pace increasing rapidly
|
| I shot out like a javelin after her screams, first matching her speed,
|
| then surpassing her
|
| And hearing her laughter as I passed her, all ready to catch my little
|
| passenger!
|
| But the web I spun had not strengthened yet, and the momentum
|
| Sent them stretching through my intentions
|
| And I popped!
|
| …dolly lost…
|
| And Lorraine
|
| Popped back down into her bedroom…
|
| …and she… she. |
| coughed?!
|
| Born the correlation relation shaping
|
| The forms are taking the station we’re on
|
| We’re warm, the verbal intercourse
|
| And mind fornication is on wind, design is tight;
|
| Cause burns more than blunts; |
| or oil at midnight;
|
| The clock turns as it often does
|
| Fight it with all ya might scrub, you learn more if ya listen:
|
| Timing is more than tic. |
| toc. |
| ticking
|
| Rippin’s a mission so come equipped—but NOT with
|
| Remote clickers or clips in the nine, ya mind
|
| Is fine with me, brother ya chicken you can’t rhyme
|
| And punks react violently—but bad men respond silently
|
| Later hearing your gone and the facts
|
| While sipping on cognac, quietly
|
| Privately
|
| Commenting on society
|
| Modestly, honestly
|
| …asking why fools even try it when they undeniably
|
| And obviously! |
| Undoubtedly; |
| decidedly — you wack!
|
| I stretch out and expand in 3-D like galaxies
|
| Establishing terrestrial con-tact, like:
|
| Roll up the windows, crank the heat, relax recline the seat
|
| And thank Lateef, take two and pass, give-it-a-little-gas and ask
|
| «What's the riddle mean?» |
| «Fantastic!» |
| «G E equals MC 2,»
|
| Don’t be sarcastic—my mind moves at the speed of light when blasted!
|
| Syncopated audiosyncratic madness, concentrated
|
| Focused on the rabbit, like «I'm rabid gigantic teething wolverine?»
|
| Armed with claws that bring murderous tragedies
|
| To even human beings burdened with feelings of sadness
|
| Ludicrous thing is I’m glad to be the baddest!
|
| Sittin' fattest after I’m finished lunchin', munchin' em before that;
|
| I’m slashin', attackin 'em; |
| ripping action in sound clashes, BASTARD I’m THE
|
| FASTEST
|
| Quick draw like Western classics, big jaw
|
| Voice cuts through like a saw sprinkling you like magic;
|
| As the cataclysm hits like smack, vocabic havoc cracks your sternum, spine,
|
| and scapula
|
| SPECTACULARLY PROPELLING YOU BACKWARDS OVER THE EDGE OF THE TRACK!
|
| Now that we have made our way away from the sky apple
|
| You will notice from your new knowledge experience
|
| That the distance from the crust to the mantle to the core
|
| Is much greater than previous measurements |
| And as lyricists in this time period we experiment with a
|
| Myriad of new findings
|
| Different from the supposed truths
|
| The ample evidence we presented
|
| It complemented our argument that «everything is impermanent»
|
| Not static or at settled standstill as the opposite element
|
| Has suggested is legitimate
|
| And finally, a reminder that
|
| The precious metals and ores
|
| Mined for early in the earth’s surface sediment
|
| Cannot compare to the infinite introspective splendor, if you will
|
| Represented by the treasures indicative of our entrance
|
| Into the Earth’s center
|
| Incentive, isn’t it?
|
| …yes, Yes, YES!
|
| Well, yes, yes, yes
|
| You’re dealing with lyricists that’s: fresh, fresh, fresh
|
| You wan' test? |
| Surely ya jest, look
|
| Let’s just get one thing correct
|
| Before ya step, focus on breath, breath, breath
|
| One rep! |
| «Breath, breath, breath.»
|
| Select, yet another set of styles?!
|
| Yup, yup, yup
|
| Each one as hard as erections, I got to flex, flex, flex!
|
| For project protection, I’m collecting text, techs, Tecs
|
| While you’re caught up
|
| Thinking rap is just sex, sex, sex
|
| And more flesh, flesh, flesh
|
| Robbing the soul of its precious sensuousness
|
| Most of these rappers talking shit out of the side of they neck
|
| What the heck?!
|
| It’s more and more suckas gettin' signed for less, less, less, and less
|
| Lesson one? |
| If aiming to impress-press-press?
|
| You gotta do it yourself
|
| Quiet as kept, kept, kept
|
| If my work is respected, I’ll collect checks, checks, checks
|
| They can’t all bounce and if they do I got an ounce at the rest
|
| So I ain’t stressin' off it
|
| 'Cuz I’ve walked on water weapons baby haven’t you heard?
|
| I’ve authored songs on different planes and left the boundaries blurred!
|
| And I taught, Neanderthal to use the rotary phone
|
| I kicked the Devil in his neck without my rosary on
|
| And I checked out the vampire’s nest
|
| Sans garlic, dissed his harlots, then without the crucifix
|
| Plunged the wooden stake deep inside his chest—pinned him!
|
| Thrashing around to the bottom of his sarcophagus
|
| Writhing around till the only thing left
|
| Were little scraps of nothingness, those scattered all about infinity!
|
| All different shapes and sizes going wherever—
|
| —but all of one entity!
|
| That I had brought together for my pleasure
|
| Watch this now — your last dinner in my chamber where I tempered weapons
|
| Rendered from a rusty Ford fender!
|
| You get your steak and eggs? |
| Caesar vinaigrette?
|
| Savor your cigarette, cause I’mma tape your lips!
|
| Become my marionette: You curtsy, pirouette
|
| And when my blade caress? |
| I scrape my bayonet!
|
| You lose your favorite legs… I love that fragrance
|
| Playful Pet? |
| Yes I’m the patron saint of Dangerous!
|
| You slaying La-tyrx? |
| You’re driving majorettes, over some acreage?
|
| As you sit there pensively, tentatively fidgeting with creation
|
| But you fuck 'round with this and you’ll get eaten
|
| You gettin laid to rest
|
| Ain’t slayin' Latyrx
|
| You gettin laid to rest
|
| OVER THE SUNSET’S EDGE! |