| When I step onto the stage, see the curtain raise
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| I’m apparent, I’ve got someone to play
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| All the crowd are in the seats looking straight at me
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| For an answer, they just get what they see
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| They applaud and the usher’s locking the door
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| 'Til the matinee
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| So I get to know the cast, though it doesn’t last
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| I’m a pro, but I won’t take it too far
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| Now I know I shouldn’t get comfy on the set
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| Every time it all comes down in the end
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| That’s a truth that the stage school doesn’t teach you
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| But it’s good to know
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| It takes much more than just learning a script
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| You see, you gotta take the part and believe it
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| Oh, I sometimes make up all of my lines on the spot
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| But I will always give what I got
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| I thought I was only acting
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| But I felt exactly like it was all for real
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| I sure didn’t know it hurt so
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| But then no rehearsal could show you how to feel inside
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| What you gotta hide, where to put your pride
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| When to realise you’ve had your time
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| Find another role, carry on the show
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| You should be able to feel a performance
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| With your whole body and soul
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| Now I’m gonna teach you everything I got
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| And you, and you, and you, and you…
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| Oh, I sometimes make up all of my lines on the spot
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| But I will always give what I got
|
| I thought I was only acting
|
| But I felt exactly like it was all for real
|
| I sure didn’t know it hurt so
|
| But then no rehearsal could show you how to feel inside
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| What you gotta hide
|
| Where to put your pride
|
| When to realise you’ve had your time
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| Find another role
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| Carry on the show
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| I thought I was only acting
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| But I felt exac—exac—exac—exac—exa—
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| What you gotta hi—
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| How to feel inside
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| What you gotta hide—
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| Gnitca ylno saw I
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| Laer rof lla saw ti ekil yltcaxe tlef I tub
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| Dab os truh ti wonk t’ndid erus I
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| Edisni leef ot woh uoy wohs dluoc lasraeher on taht
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| Emit ruoy dah ev’uoy—
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| Elor rehtona dnif
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| Wohs eht no yrrac |