| Richard is important to Richard and
|
| his most important friends
|
| He doesn’t take phone calls he sits in his office and pretends
|
| He’s Atticus Finch, he’s everybody’s mensh
|
| When It comes to clients he counts
|
| himself among the very best
|
| But when it comes to stature he only counts
|
| the size of other mens desks
|
| He’s counting every inch, he’s counting every inch
|
| CHORUS: And It’s only entertainment
|
| It’s only entertainment
|
| Don’s make it so hard
|
| Don’t make it so hard
|
| Amanda of the underground brings high art
|
| to her lo-fi sound
|
| Her nifty hipster friends agree a band’s
|
| only as good as its scene
|
| Save us Polly Jean, we know not what we mean
|
| BRIDGE:
|
| Freddie’s demographic grows,
|
| angry boys in baggy clothes
|
| As critics eulogize the songs,
|
| and record store clerks mourn along
|
| And the years go by and the chords don’t change
|
| We’re all Pat Boone by different names
|
| Dishes
|
| She gets off work the other side of evening
|
| She counts her tips and tells me that she’s leaving
|
| I scrape the plastic plates and dry the glasses
|
| My apron is a testament to madness
|
| Years of washing dishes and she’s gone
|
| Her boyfriend brags how many ways he’s had her
|
| The busboys and the lines cooks crack with laughter
|
| And I pretend I don’t know what they’re saying
|
| And they pretend our fate is not the same thing
|
| Years of washing dishes and we’re gone |