| What’s going on in this motherfucker?
|
| See a lot of funny looks, made me think that something’s wrong in this
|
| motherfucker
|
| If I let the milli rock it’ll be a different song in this motherfucker
|
| Two bitches in the club, can’t we all get along in this motherfucker?
|
| Rodney King and I’m gone in this motherfucker
|
| Grown than a motherfucker
|
| Yeah, up top, what’s popping with it?
|
| Whatever we doing we doing it with a lot of bitches
|
| Nigga, I mean a whole lot of bitches
|
| Outside of my normal, some even hotter bitches
|
| Yeah, shorty say all that’s her own body
|
| she already in the phone probably
|
| Ass fat enough to buy that bitch her own property
|
| That’s my definition of a home body
|
| Got a Rollie in her wrist and her tone cocky
|
| Nonetheless I only check her 'cause her dome sloppy
|
| Gave her all that she could handle though
|
| She put her mouth around the wiz, something Amber Rose
|
| Get her naked and she look like Amber Rose
|
| I was taping the whole thing then the camera froze
|
| To this day her and I remain amicable
|
| She even let me bust first, she so mannerable
|
| If you really dig me how about you leave here with me?
|
| Come on, shorty, let me know
|
| Come on, shorty, let me know
|
| We can do whatever, promise, ain’t no pressure
|
| Hurry, girl, I got to go
|
| Hurry, girl, I got to go
|
| WJBOC 101.9, and I’m your host DJ Verified rocking out with you.
|
| Doing it for the grown and sexy out there. |
| 35 and up, 35 and up only.
|
| Call us up, we’re doing a live remote from Club Deco. |
| Call us up,
|
| 1−800−120 for the folk shit. |
| We wanna talk to you, come on
|
| What’s going on in this motherfucker?
|
| See a lot of funny looks, made me think that something’s wrong in this
|
| motherfucker
|
| If I let the milli rock it’ll be a different song in this motherfucker
|
| Two bitches in the club, can’t we all get along in this motherfucker?
|
| Rodney King and I’m gone in this motherfucker
|
| Grown than a motherfucker
|
| Been thinking about you for quite some time
|
| And you ain’t seen crazy quite like mine
|
| Nah, I’ve been occupied, sike, I’m lying
|
| You know how the saying go, out of sight, out of my world
|
| Just kidding, could tell I like you
|
| She just moved to Queens
|
| Hella prideful, with help I buy too
|
| Everything is hers, Chanel and Michael
|
| Should’ve been left, but I’m still in here
|
| Last place she’d expect to see a millionaire go
|
| On and on and on and
|
| Please, baby, no Tweets, put away your phone and
|
| Ride and moaning to five in the morning
|
| Had to Uber on the way right at you yawning
|
| joke alone, Joe Malone
|
| Of the green bottle same color of provologne
|
| If it’s on Don Corleone go with the throne
|
| Still I’m the best kept secret though I’m
|
| In the focus homes
|
| And that much real estate like the focus homes
|
| When the clothes is gone
|
| I be going going Baghdad, all the approach is wrong
|
| And she ain’t the type of lady to sit in coach for long
|
| With me as high king she take her liking
|
| To trim and piping when the kitchen
|
| Quite surprising the post of my dreams
|
| If father stretch appears like ultralight beams
|
| Surmised by the size of her thighs, it might seem
|
| eyes get wide with the life of my stream, hey
|
| Getting all up in her guts with it
|
| Gotta bust multiple nuts with it
|
| That’s how it sound when we together
|
| She my queen with the crown and she down for whatever
|
| If you really dig me how about you leave here with me?
|
| Come on, shorty, let me know
|
| Come on, shorty, let me know
|
| We can do whatever, promise, ain’t no pressure
|
| Hurry, girl, I got to go
|
| Hurry, girl, I got to go |