| Sitar singing on the operation, people say they can’t walk out
|
| I remember you walking in, that’s why you got this door lookin' lock stock
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| In the olden days my time seems to be running away,
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| Singing up songs of the rights and wrongs
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| Don’t expect anymore from me To all the dead people
|
| Especially out to Diego
|
| A friend and with the criminal intention about a liaison
|
| To all the dead people
|
| Especially out to Diego
|
| A friend and with the criminal intention about a liaison
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| Take your problem to United Nations
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| Tell old Kofi about the situation
|
| Tell him how you left the whole congregation
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| Sittin' in the pews, in the pews, all alone
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| Have a go heroes shutting the old door locked
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| Sitting it down with (socks)?
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| For the break in a nose, no hero kickin' it down wanting a raise
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| Have a good luck, I ain’t no abucus but you can count on me To all the dead people
|
| Especially out to Diego
|
| A friend and with the criminal intention about a liaison
|
| To all the dead people
|
| Especially out to Diego
|
| A friend and with the criminal intention about a liaison
|
| Take your problem to United Nations
|
| Tell old Kofi about the situation
|
| Tell him how you left the whole congregation
|
| Sittin' in the pews, in the pews, all alone
|
| Take your problem to United Nations
|
| Tell old Kofi about the situation
|
| Tell him how you left the whole congregation
|
| Sittin' in the pews, in the pews, all alone
|
| Take your problem to the United Nations
|
| Take your problem to the United Nations
|
| Take your problem to the United Nations
|
| Tell old Kofi about the situation
|
| Is it a way, out of the day. |
| Calling yourself out to kingdoms
|
| Is it a time, singing the lines on the old border line
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| Time it has passed, being the last to enter the race for the future
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| Past is fast and fast is thin and thats why we’re witherin'
|
| So good is the bad, the ugly left with your face in the morning
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| You screamed at the back, told her just jack
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| about how you lived on the weekend
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| Killers in mist, told you about it years before you answered
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| The whole of the point, the real the day is passing now you’re finished
|
| So you scream like nothings wrong, Sons of silence and in them songs,
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| out loud for the reservation
|
| It’s all thriller, no filler
|
| and the beat came out the line, three or four times.
|
| It’s the first time that you’ll say
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| It’s all thriller, no filler
|
| It’s all filler, no thriller
|
| It’s all filler, no thriller
|
| It’s all filler, no thriller
|
| It’s all filler, no thriller
|
| Two lost boys in the lost town, two lost girls in the lost and found
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| I’ll find you out when you hit the ground
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| Don’t stop moving girly, dance around
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| Two lost boys in the lost town, two lost girls in the lost and found
|
| I’ll find you out when you hit the ground
|
| Don’t stop moving girly, dance around
|
| Two lost boys in the lost town, two lost girls in the lost and found
|
| I’ll find you out when you hit the ground
|
| Don’t stop moving baby, dance around
|
| So you scream like nothings wrong, Sons of silence and in them songs,
|
| out loud for the reservation
|
| It’s all thriller, no filler
|
| and the beat came out the line, three or four times.
|
| It’s the first time that you’ll say
|
| It’s all filler, no thriller |