| IT GOES
|
| ONE FOR THE TREBLE AND TWO FOR THE BASS. |
| IT WAS
|
| LOVE AT FIRST SOUND WHEN I WALKED IN THE PLACE. |
| I’M SAYIN' ONE FOR THE TROUBLE
|
| AND TWO FOR THE TIME.
|
| IMMA
|
| KICK IT TO BEAT CAUSE SHE SURE IS FINE.
|
| Probe.dms
|
| «I kick it
|
| To your snare whisper in her ear, make it sound crisper
|
| With a twist of air, smack her on the rear and make her
|
| Disappear off the track, and have a love affair with the
|
| High hats then bring them right back. |
| So yo if you pound my
|
| Heart with a hammer it would probably sound like
|
| And leave a mad smoky cloud of boom. |
| See I’m
|
| Not the type of emcee to play a beat out, take a
|
| Drum loop and shake it and break the hell out. |
| Well that’s
|
| Not the way I get down. |
| I’m loving your sound. |
| Your runnin'
|
| Through my mind like the board playing them chords on the
|
| Rhodes. |
| I met you in rouge. |
| I had you on hold and now I
|
| Can’t afford to play. |
| So you ready to J? |
| I know our
|
| Love will pass the threshold and never decay. |
| Don’t ever
|
| Give a dub away on any formats of data;
|
| Micro cassettes, 8tracks, DATs or BETA. |
| Your
|
| Too fresh. |
| God bless the creator that made ya. |
| One»
|
| REFRAIN
|
| Asheru
|
| «Hey
|
| Bu, how you? |
| My name is Asheru. |
| I’m glad that
|
| We can finally link up and do the One Two. |
| I know
|
| Brothers be hawking, Running game and double
|
| Talking you to death, until there’s very little left. |
| So let me
|
| Not half step, and tell you off the top how you could
|
| Uh uh get it get it, and don’t stop. |
| I
|
| Love your voice. |
| Its like music to my ears. |
| Love the
|
| Way that you feel, enough to bring a man to tears. |
| I
|
| Love your body. |
| Your booty banging like boom. |
| Love to
|
| See you at parties the way you captivate the room. |
| When we
|
| First met. |
| I had to do a double take. |
| Got
|
| Caught up in the moment with no plans to escape. |
| Now I’m
|
| Getting it together so what do you say, to me and
|
| You parlaying that old fashioned way. |
| So when we
|
| Step out of the party, I’ll take your hand, and me and
|
| You can go travelling across the land. |
| Its like you
|
| Floating on air, above beyond and abroad. |
| Love the
|
| Way you hold me when I throw you up on the board. |
| So when we
|
| Step out of the lab girl I take your hand and me and
|
| You can go traveling across the land.»
|
| REFRAIN
|
| Peace queen don’t stop for me let me walk with you just to talk
|
| With you open up your mind let me paint a picture. |
| You and
|
| Me sipping on a freshly squeezed flow in a sound
|
| Proof chateau letting royalties grow. |
| No
|
| Disrespect, but you got a whole lot a bottom and I’m
|
| Curious as to how we sound in the mix. |
| No
|
| Tricks See I ain’t looking for no one hit wonder, but I
|
| Think you ough ta know what I do for kicks. |
| If we could
|
| Get the first third to work than we could flirt till you’re
|
| Slipping out you tight fit Pro Tools skirt. |
| I wanna
|
| Lay you down with nothing but your two inch reels on to
|
| Make a strong song that’ll last real long. |
| We could
|
| Pan from side to side, no automation. |
| Let my
|
| Fingers do the walking through your knobs and faders. |
| So
|
| What’s up? |
| We could meet for drinks at bar sixteen. |
| I could
|
| Drop you off now and pick you up later. |
| If you
|
| Don’t know who I am I’m a friend of your fam. |
| I know your
|
| Mom a SP and your pop’s a soul brother. |
| So
|
| Chill with the echo cause there won’t be no delayin'. |
| If you
|
| Still don’t believe me you can ask your Uncle Luva. |
| So
|
| Can I get a hug goodbye? |
| You smell fly like a
|
| Rose. |
| That must be electric p by Rhodes. |
| Matter
|
| Fact don’t say goodbye. |
| Say until tonight. |
| I can’t
|
| Wait to give you play in my humble abode.
|
| REFRAIN |