| I wanna have a light source coming out from here so we’ll start with this white
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| with a little yellow in it
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| Just like so
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| I love these little scenes where the light’s coming from behind or it’s coming
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| from behind a tree or something and just
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| Projecting through
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| To me those are so beautiful
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| And it’s unbelievable what you can do with them
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| Uh, put all my hurts on paper so I can grip some
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| Put all my dirt on the table so I don’t trip on nothing
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| My world on tape, I could slow it down pitch it up
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| Words dance on the page like dyslexia
|
| It’s only right I leave behind a document
|
| Special shoutout if you tuning in post the apocalypse
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| It’s that rare kind of gem recorded breathin' oxygen
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| Scrolls of what I seen, how it felt in the moment
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| I seen a lot of beauty in between the omens
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| Seen the truth roll over my dude like a wave of lotion
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| I seen a homie drink the Kool-Aid potion with both hands and get programmed by
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| the top of the totem, they got us
|
| All with Orion’s belt
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| Plutocrats pimpin' minds like they do the
|
| Steve Bannon made his money off of Seinfield
|
| And now Newman got the nuclear code, so
|
| This might be the last time we gon' have time
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| Before I get up in the memories, I’mma grab mine, yeah
|
| This might be the last time we gon' have time
|
| I don’t know about memories, I’mma grab mine
|
| Around the time I had those Umbro wristbands
|
| My arms ready to reach into the unknown and grip that
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| My man Andy showed me something on the Discman
|
| Planted a seed deep inside the knitted hat, fast forward
|
| Around the time Yogisoul dropped By Nights
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| I felt like I could look at a rock and that shit would shine bright
|
| By the time 'Fades recorded Warmth
|
| All the wrong colours on the horizon couldn’t get my mind right
|
| By the time Charlotte got in the limelight
|
| I was like if some hope don’t come in soon then the tides might
|
| Water rising, holding onto the promise that in a couple years
|
| We gon' have that 20/20 hindsight
|
| By the time Mohammed got into film school
|
| Feeling good, celebrations with the crew, I could see that
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| Moment for what it was, knowing I miss that dude
|
| Summer’s so short man, listen to Stu
|
| This might be the last time
|
| Before I get up in the memories, I’mma grab mine, yeah
|
| This might be the last time we gon' have time
|
| I don’t know about what memories, I’mma grab mine
|
| I like these little paintings, hope you do too
|
| They’re so interesting and they’re very easy to do, even for people who’ve
|
| never painted before
|
| These little paintings are so nice, they’re great
|
| There, now then, maybe… once again, don’t just hit it random, think about
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| form and shape it’s going on up here
|
| Now then just blend it outward, outward, outward
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| But you want it to get darker and darker as it moves away from that light source
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| There, think about there somewhere
|
| And already it looks like there’s a glow happening back here and that’s what
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| we’re looking for
|
| And very lightly we’ll brush it a little, take out the brushstrokes
|
| Sometimes when you’re doing these it’s interesting if you wanna put the
|
| indication of light rays you can just pull
|
| Don’t know if you can see there but it’ll make the indication of little rays of
|
| light zingin' trough the woods or wherever it happens to be
|
| This is an excellent way to make those type of scenes
|
| It looks like there’s a glow back there, a big lantern
|
| A few little sticks and twigs that live out here
|
| There
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| Don’t want these to be very dark, they’ll be out here in this light
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| So they also will be very, very subdued so you almost can’t see them
|
| There
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| But we know they’re there
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| We know they’re there |