| Still seeing double, drawing circles around my eyes
|
| With what does wonders for the wandering mind.
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| No rest. |
| No photographs. |
| No waiting around
|
| When I can just set it off (and set it off and set it off and set it off)
|
| With who controls the longest line.
|
| But you left your calling card penciled out in the snow.
|
| It’s perfect penmanship. |
| Two consonants on a well-frosted window.
|
| And then my stomach sank, drowning in the alphabet.
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| Your subtle signature’s now the white-out on your fingertip.
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| It’s you who controls the longest line.
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| It’s you who controls the light outside.
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| Sobering illustrations.
|
| Primaries stay the same.
|
| Sobering illustrations and I’m to blame, but I still say we slow down.
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| Don’t you know we all talk too loud?
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| Slow down.
|
| Don’t you know we all talk and talk and talk?
|
| Slow down.
|
| Don’t you know we all talk too loud?
|
| Slow down.
|
| Don’t you know we all talk?
|
| You left your calling card, now penciled out in the snow.
|
| You set it off (and set it off and set it off and set it off).
|
| No rest. |
| No photographs. |
| No waiting around when I know.
|
| You set it off (and set it off and set it off). |