| Rousseau walks on trumpet paths
|
| Safaris to the heart of all that jazz
|
| Through I bars and girders-through wires and pipes
|
| The mathematic circuits of the modern nights
|
| Through huts, through Harlem, through jails and gospel pews
|
| Through the class on Park and the trash on Vine
|
| Through Europe and the deep deep heart of Dixie blue
|
| Through savage progress cuts the jungle line
|
| In a low-cut blouse she brings the beer
|
| Rousseau paints a jungle flower behind her ear
|
| Those cannibals-of shuck and jive
|
| They’ll eat a working girl like her alive
|
| With his hard-edged eye and his steady hand
|
| He paints the cellar full of ferns and orchid vines
|
| And he hangs a moon above a five-piece band
|
| He hangs it up above the jungle line
|
| The jungle line, the jungle line
|
| Screaming in a ritual of sound and time
|
| Floating, drifting on the air-conditioned wind
|
| And drooling for a taste of something smuggled in
|
| Pretty women funneled through valves and smoke
|
| Coy and bitchy, wild and fine
|
| And charging elephants and chanting slaving boats
|
| Charging, chanting down the jungle line
|
| There’s a poppy wreath on a soldier’s tomb
|
| There’s a poppy snake in a dressing room
|
| Poppy poison-poppy tourniquet
|
| It slithers away on brass like mouthpiece spit
|
| And metal skin and ivory birds
|
| Go steaming up to Rousseau’s vines
|
| They go steaming up to Brooklyn Bridge
|
| Steaming, steaming, steaming up the jungle line |